During the 1920s and 1930s Clarice Beckett surrendered to the sensory impressions of her everyday world with such intensity that the force of her painted observations created an entirely new visual language. The extreme economy of her painting tested her Australian audiences, and yet distinguished her as working at the avant-garde of international modernism. Drawn from national public and private collections, highlights include the artist’s famed ethereal images of commonplace motifs such as lone figures, waves, trams and cars.
Driven by spiritual impulses beyond worldly success, she was a visionary mystic that saw nature as all powerful. Through veils of natural light she captured the eternal in the temporal. Accordingly, the 130 paintings in The present moment will be thematically displayed around shifts in time that chart the chronology of one single day. The exhibition will take visitors on a sensory journey from the first breath of sunrise, through to the hush of sunset and finally a return into the enveloping mists of nightfall.
The Art Gallery of South Australia is renowned for collecting, displaying and publishing the work of modern Australian women artists. Clarice Beckett: The present moment showcases Alastair Hunter OAM’s recent support of the acquisition of 21 Clarice Beckett paintings and proudly announces the AGSA’s ongoing commitment to the promotion and celebration of the work of great Australian women artists.
Tracey Lock, Curator of Australian Paintings and Sculpture
$20 adult, $17 concession, $15 AGSA member, $40 family (2 adults + 3 children), $12 student (13+), $10 child (5-12). Free entry for ages 0-4.
$50 members season pass - available to purchase in-Gallery only. Please present your members ID.
Due to the overwhelming popularity of the exhibition from Saturday 8 May there will no longer be guided tours.
School Bookings K-12 $40 per class, $20 equity. Guided and self-guided visits available.
Throughout her career Clarice Beckett was interested in the poetic possibilities of early morning.
Daylight - the Beach
Painting in the middle of the day presented Clarice with opportunities to record groups of people at work and play.
Clarice Beckett demonstrates a technical prowess in her responses to the visibly changeable lighting and weather conditions presented during daylight hours.
During her lifetime Clarice Beckett was denied the use of a dedicated painting studio.
For six months in 1926, Clarice Beckett painted a body of work distant from her coastal home environment at Beaumaris.
The setting sun
In Wet sand, Anglesea, she turns her viewpoint to capture the visual splendour of the sunset glow against the ochre cliffs and its sparkle on the wet sand.
Using the magnifying effects of the horizon’s dense atmosphere, Clarice Beckett’s sun and moon discs appear to loom large and luminous as the light refracts.
With great economy Beckett creates the sensory feeling of movement, sound and the chill of winter.
Exhibition Walk Through
Walking Tour with Rosalind Holinrake and Tracey Lock
Ros Hollinrake Interview
Tracey Lock Interview
Clarice Beckett: The Charm of Light and Shade
Clarice Beckett : The present moment
Tracey Lock Introduces Clarice Beckett: The present moment
Tracey Lock Talks Spiritualism in Beckett's Art
Tracey Lock Discusses Beckett Painting the Illusion of Reality
Tuesday Talks - Tracey Lock makes closing remarks on Clarice Beckett: The present moment
Tracey Lock speaks on Clarice Beckett: The present moment - Mother's Day special event
Soundscapes created by Simone Slattery for the Exhibition
Beach & Daylight
New members see it free
Receive a complimentary ticket when you join or renew your existing membership for (2 years or more). Conditions apply.
An introduction to the world of Clarice Beckett with over 60 making and responding suggestions linking to the themes of Beckett's work.