/https://agsa-prod.s3.amazonaws.com/media/dd/images/Kulata_Tjuta_Installation_Adobe_RGB_Photo_Saul_Steed_0Z2Y6832.75266e8.jpg)
Alec Baker, Eric Kumanara Barney, Freda Brady, Moses Brady, Michael Bruno, Angela Burton, Cisco Burton, Kunmanara (Hector) Burton, Noel Burton, Pepai Jangala Carroll, Taylor Wanyima Cooper, Margaret Ngilan Dodd, Sammy Dodd, Jimmy Donegan, Maureen Douglas, Kunmanara (Ronnie) Douglas, Stanley Douglas, Arnie Frank, Witjiti George, Kunmanara (Gordon) Ingkatji, Adrian Intjalki, Rupert Jack, Willy Kaika Burton, Nyurpaya Kaika Burton, Naomi Kantjuriny, Brenton Ken, Freddy Ken, Ray Ken, Iluwanti Ungkutjutu Ken, Graham Kulyuru, Willy Muntjantji Martin, Errol Morris, Kevin Morris, Mark Morris, Peter Mungkuri, Vincent Namatjira, Tiger Palpatja, Mary Katatjuku Pan, David Pearson, Jimmy Pompey, Aaron Riley, Adrian Riley, William Tjapaltjarri Sandy, Priscilla Singer, Keith Stevens, Lydon Stevens, Bernard Tjalkuri, Lyndon Tjangala, Mr Wangin, Ginger Wikilyiri, Mick Wikilyiri, Mumu Mike Williams, Anwar Young , Carol Young, Frank Young , Kamurin Young, Marcus Young, Roma Young, Yaritji Young, Kulata Tjuta, 2017, Anangu Pitjantjatjara Yankunytjatjara Lands, South Australia, wood, spinifex resin, kangaroo tendon; Courtesy the artists and Ernabella Arts, Iwantja Arts, Kaltjiti Arts, Mimili Maku Arts, Ninuku Arts, Tjala Arts, Tjungu Palya, APY Art Centre Collective, installation view: TARNANTHI: Festival of Contemporary Aboriginal & Torres Strait Islander Art, 2017, Art Gallery of South Australia, Adelaide, photo: Saul Steed
Complimentary Resources
Incorporate Aboriginal and Torres Strait Islander Art into your classroom in a culturally appropriate way
Art is the ideal platform to explore our shared histories, cultures and achievements and provides an opportunity to reflect on how we can contribute to reconciliation in Australia.
Aboriginal and Torres Strait Islander art is diverse. Therefore, if you are only ever highlighting one art form, such as bark painting or dot painting, you are placing limitations on your students' cultural awareness and understanding. We suggest considering the following when planning your lessons:
- Highlight and focus on a specific artist, time and place.
- Explore differing viewpoints through a variety of artists, including those who are contemporary and those from the past.
- Identity the main themes or ideas in the artist's work. How could these concepts connect with your students? Plan for children to respond to these themes and ideas without creating copies of the artist's work. Use our 'using artists as a starting point flowchart' to help you plan your lessons.
Using artists as a starting point
Individual artist resources
-
Vincent Namatjira
Education resource
Tarnanthi 2020: Open Hands
Videos, podcasts and making and responding ideas for the classroom

Trevor Nickolls, Ngarrindjeri people, South Australia, born 8 June 1949, Adelaide, died 29 September 2012, Adelaide, Brush with the Lore, 2010, Adelaide, synthetic polymer paint on linen, 119.5 x 182.5 x 2.0 cm; Acquisition through Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art supported by BHP 2018, Art Gallery of South Australia, Adelaide, © Estate of Trevor Nickolls/Copyright Agency.
The Essential Introduction to Aboriginal Art
25 Facts

Gutiŋarra Yunupiŋu with his work Gurruṯu’mi Mala (My Connections), Tarnanthi 2019, Art Gallery of South Australia, Adelaide,; photo: Saul Steed.
Artist videos and podcasts
Bring the artist into the classroom with these short videos and talks