Ramsay Art Prize 2019

Liam Benson, Australia, born 1980, Community Participatory Embroidery, Thoughts and Prayers, 2015-2018, Parramatta, New South Wales, glass and acrylic seed beads,

bugle beads, sequins, cotton, tulle, 280.0 x 300.0 cm; Courtesy the artist and Artereal Gallery.

Jessica Bradford, Singapore/Australia, born 1987, An Image of a Tiger, 2018, Sydney, pastel and liquid pencil on primed aluminium steel, bisque fired porcelain, Tung-oiled plywood, Tasmanian oak, metal brackets, 106.0 x 480.0 cm (approximately); Courtesy the artist and Galerie pompom, Docqment.

Ry David Bradley, Australia, born 1979, CnN5D+YUNpy, 2018, dye cotton tapestry and electroluminescent wire, 190cm x 260cm, Courtesy the artist.

Eric Bridgeman, Yuri Alaiku people, Papua New Guinea, born 1986, Redcliffe, Queensland, Kopi Kendi (Coffee Candy), Pawa (Power), Coconut, Bolma (Pig Tusk), Kundiawa (Four Corner Town), from the series Shield Paintings (Stap lo fom/ In finest formation), 2018, Kippa-Ring, Queensland, acrylic and twine on ply, 170.0 x 60.0 cm (each); Courtesy the artist and Gallerysmith, photo Ian Hill.

Lina Buck, Australia, born 1994, In Context (Actions Becoming), 2018, Melbourne, 2 channel video projection, 9 minutes and 47 seconds, Courtesy the artist.

Dale Collier, Wiradjuri people, New South Wales, born 1985, Bega, New South Wales, Using fire to flesh out the fraud, 2018, Ilford, New South Wales, found painting,

projection, charcoal, scorched school desk, (dimensions variable); Courtesy the artist.

Julia Deville, Australia, born 1982, Mother is my Monarch, 2018, Melbourne, baby giraffe, my last breath, 18ct gold, 18ct white gold, sterling silver, bronze, gold plate, black rhodium plate, Akoya pearls, freshwater pearls, rose cut diamonds 6.05ct, rose cut black diamonds 0.67ct, uncut diamond granules 150ct, setting from ex-husbands engagement ring (18ct white gold, rose cut diamonds 0.33ct) Case made by Kate Rohde: Resin, Perspex, wood, steel; Courtesy the artist, Sophie Gannon Gallery and Jan Murphy Gallery.

Kuba Dorabialski, Poland/Australia, born 1979, Seven Revisionists, 2018, Sydney, full HD video with stereo sound, 21 mins 29 secs, Courtesy the artist.

Emily Ferretti, Australia, born 1982, Shifting Landscapes, 2018, Brunswick, Victoria, monotype on paper (twenty one panels), 240.0 x 432.0 cm (overall); Courtesy the

artist and Sophie Gannon Gallery, photo: Andrew Curtis.

Tom Freeman, Australia, born 1985, Dippers (greenish, grey, pinky, yellow) 2, 2018, Fremantle, Western Australia, synthetic polymer paint, wire, porcelain, marble,

polyurethane, (dimensions variable); Courtesy the artist.

Tarryn Gill, Australia, born 1981, Tricksters, 2018, Perth, EPE foam, LED lights (coded by Steve Berrick), hand-sewn synthetic fabrics, rabbit fur, threads, sequins, glitter, synthetic hair, hand carved wood, nylon and leather gloves, 260.0 x 490.0 x 30.0 cm; Courtesy the artist.

Nathan Hawkes, Australia, born 1980, Daytime shame (With closed eyes / Together they said "milk" and "bread" / Alas the summer's energy wanes quickly) , 2018, Sydney,

dry pigment pastel and graphite on paper (three panels), 220.0 x 150.0 cm (each); Courtesy the artist and Chalk Horse Gallery.

Sophia Hewson, Britain/Australia, born 1984, Viewer as patient, 2018, Melbourne, oil on board, leather armchairs, plant, side table, tea, (dimensions variable); Courtesy the

artist and Mars Gallery, photo: Jason Flower.

Hayley Millar-Baker, Gunditjmara people, Victoria, born 1990, Werribee, Victoria, A Series of Unwarranted Events, 2018, Sunshine, Victoria, inkjet print on paper, 100.0 x

80.0 cm; Courtesy the artist and Vivien Anderson Gallery.

Viv Miller, Australia, born 1979, Folk, 2018, Melbourne, single channel animation with sound, 4 mins 59 secs, Courtesy the artist, Neon Parc and Gallery 9.

Pierre Mukeba, Democratic Republic of Congo/Australia, born 1995, Ride to church, 2018, Adelaide, brush pen, synthetic polymer paint and applique on canvas, 320.0 x 424.0 cm; Courtesy the artist and GAGPROJECTS | Greenaway Art Gallery.

Vincent Namatjira, Western Aranda people, Northern Territory, born 1983, Mparntwe (Alice Springs), Northern Territory, Close Contact, 2018, Indulkana, Aṉangu Pitjantjatjara Yankunytjatjara Lands, South Australia, synthetic polymer paint on plywood, 188.0 x 62.0 x 3.5 cm; Gift of the James and Diana Ramsay Foundation for the Ramsay Art Prize 2019, Art Gallery of South Australia, Adelaide, © the artist, photo: Grant Hancock.

Phuong Ngo, Australia, born 1983, Loss in the Aftermath, 2018, installation view Bendigo Art Gallery, Victoria, inkjet prints on paper, perspex, steel, hammocks, mechanical components, (dimensions variable); Courtesy the artist, photo: Ian Hill.

Ramesh Mario Nithiyendran, Australia/Sri Lanka, born 1988, Bronze Deities, 2018, Sydney, bronze, 24 carat gold plated bronze, marble, concrete, perspex, acrylic mirror,

chains and rubber snakes, (dimensions variable); Courtesy the artist and Sullivan + Strumpf.

Jahnne Pasco-White, Australia, born 1987, Being Here is Everything (What a Pity), 2018, Preston, Victoria, hand-dyed cottons and linens, cement oxide, synthetic polymer paint, oil,

crayon, pencil, various re-cycled fabrics, rice starch, PVA and Clag on plasterboard (five panels), 240.0 x 600.0 cm (overall); Courtesy the artist and Daine Singer

Gallery.

Huseyin Sami, Australia, born 1979, Untitled (GWPPW) 2018, 2018, Sydney, synthetic ploymer paint on canvas (two panels), 214.5 x 198.5 cm (each); Courtesy the artist and Sarah Cottier Gallery.

Isadora Vaughan, Australia, born 1987, Canker Sore, 2018, Preston, Victoria, ceramic, sand, steel, crushed stone, silicon, glass, 210.0 x 350.0 x 200.0 cm; Courtesy

the artist and Station Gallery, photo: Andrew Curtis.

Sera Waters, Australia, born 1979, Falling Line by Line, 2018, Adelaide, vinyl wallpaper (adhesive backed and removeable), woollen long-stitches, 200.0 x 700.0 cm; Courtesy of the artist and Hugo Michell Gallery, photo: Robert Frith.