To the Count Palatine or Count of the Palate
Francisco Goya
Spain
30 March 1746 – 16 April 1828
To the Count Palatine or Count of the Palate
plate 33, from the series Los Caprichos (The Caprices)
1797-98; published 1799
etching, aquatint, drypoint, engraving on paper
Spain
30 March 1746 – 16 April 1828
To the Count Palatine or Count of the Palate
plate 33, from the series Los Caprichos (The Caprices)
1797-98; published 1799
etching, aquatint, drypoint, engraving on paper
- Place made
- Madrid
- Medium
- etching, aquatint, drypoint, engraving on paper
- Dimensions
-
21.3 x 15.0 cm (plate)
31.5 x 21.6 cm (sheet)
18.0 x 12.0 cm (image) - Credit line
- South Australian Government Grant 1980
- Accession number
- 807G51
- Signature and date
- Not signed. Not dated.
- Media category
- Collection area
- European prints
-
Francisco Goya 30 March 1746 – 16 April 1828
A bad night
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G54 -
Francisco Goya 30 March 1746 – 16 April 1828
A gift for the master
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G65 -
Francisco Goya 30 March 1746 – 16 April 1828
All will fall
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G37 -
Francisco Goya 30 March 1746 – 16 April 1828
And his house is on fire
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G36 -
Francisco Goya 30 March 1746 – 16 April 1828
And so was his grandfather
1797-98; published 1799aquatint on paperAccession no: 807G57 -
Francisco Goya 30 March 1746 – 16 April 1828
And still they don't go!
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G77 -
Francisco Goya 30 March 1746 – 16 April 1828
Because she was susceptible
1797-98; published 1799aquatint on paperAccession no: 807G50 -
Francisco Goya 30 March 1746 – 16 April 1828
Be quick, they are waking up
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G66 -
Francisco Goya 30 March 1746 – 16 April 1828
Blow
1797-98; published 1799etching, aquatint, drypoint, engraving on paperAccession no: 807G87 -
Francisco Goya 30 March 1746 – 16 April 1828
Bravissimo!
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G56 -
Francisco Goya 30 March 1746 – 16 April 1828
Can't anyone untie (annul) us?
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G73 -
Francisco Goya 30 March 1746 – 16 April 1828
Correction
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G64 -
Francisco Goya 30 March 1746 – 16 April 1828
Devout profession
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G88 -
Francisco Goya 30 March 1746 – 16 April 1828
Don't scream, stupid
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G84 -
Francisco Goya 30 March 1746 – 16 April 1828
Even thus he cannot make her out
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G25 -
Francisco Goya 30 March 1746 – 16 April 1828
Francisco Goya y Lucientes, painter
1797-98; published 1799etching, aquatint, drypoint, engraving on paper, mounted on paper supportAccession no: 807G18 -
Francisco Goya 30 March 1746 – 16 April 1828
God forgive her: and it was her mother
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G34 -
Francisco Goya 30 March 1746 – 16 April 1828
Here comes the bogey-man
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G21 -
Francisco Goya 30 March 1746 – 16 April 1828
Hobgoblins
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G67 -
Francisco Goya 30 March 1746 – 16 April 1828
How they pluck her!
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G39 -
Francisco Goya 30 March 1746 – 16 April 1828
Hush
1797-98; published 1799etching, aquatint, engraving on paperAccession no: 807G46 -
Francisco Goya 30 March 1746 – 16 April 1828
It is better to be lazy
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G86 -
Francisco Goya 30 March 1746 – 16 April 1828
It is nicely stretched
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G35 -
Francisco Goya 30 March 1746 – 16 April 1828
It is time
1797-98; published 1799etching, burnished aquatint on paperAccession no: 686G14 -
Francisco Goya 30 March 1746 – 16 April 1828
It is time
1797-98; published 1799etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G53 -
Francisco Goya 30 March 1746 – 16 April 1828
Lads making ready
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G29 -
Francisco Goya 30 March 1746 – 16 April 1828
Look how solemn they are!
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G81 -
Francisco Goya 30 March 1746 – 16 April 1828
Love and death
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G28 -
Francisco Goya 30 March 1746 – 16 April 1828
Might not the pupil know more?
1797-98; published 1799etching, aquatint, engraving on paperAccession no: 807G55 -
Francisco Goya 30 March 1746 – 16 April 1828
Nanny's boy
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G22 -
Francisco Goya 30 March 1746 – 16 April 1828
Neither more nor less
1797-98; published 1799etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G59 -
Francisco Goya 30 March 1746 – 16 April 1828
Nobody knows himself
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G24 -
Francisco Goya 30 March 1746 – 16 April 1828
No one has seen us
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G61 -
Francisco Goya 30 March 1746 – 16 April 1828
Nothing could be done about it
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G42 -
Francisco Goya 30 March 1746 – 16 April 1828
Of what ill will he die?
1797-98; published 1799etching, aquatint on paperAccession no: 807G58 -
Francisco Goya 30 March 1746 – 16 April 1828
Out hunting for teeth
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G30 -
Francisco Goya 30 March 1746 – 16 April 1828
Poor little girls!
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G40 -
Francisco Goya 30 March 1746 – 16 April 1828
She fleeces him
1797-98; published 1799etching, burnished aquatint on paperAccession no: 554G5 -
Francisco Goya 30 March 1746 – 16 April 1828
She prays for her
1797-98; published 1799etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G49 -
Francisco Goya 30 March 1746 – 16 April 1828
Sleep overcomes them
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G52 -
Francisco Goya 30 March 1746 – 16 April 1828
Swallow it, dog
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G76 -
Francisco Goya 30 March 1746 – 16 April 1828
Tantalus
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G27 -
Francisco Goya 30 March 1746 – 16 April 1828
That certainly is being able to read
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G47 -
Francisco Goya 30 March 1746 – 16 April 1828
The Chinchillas
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G68 -
Francisco Goya 30 March 1746 – 16 April 1828
The filiation
1797-98; published 1799etching, aquatint on paperAccession no: 807G75 -
Francisco Goya 30 March 1746 – 16 April 1828
There is plenty to suck
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G63 -
Francisco Goya 30 March 1746 – 16 April 1828
There they go plucked (ie fleeced)
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G38 -
Francisco Goya 30 March 1746 – 16 April 1828
The shamefaced one
1797-98; published 1799etching, aquatint on paperAccession no: 807G72 -
Francisco Goya 30 March 1746 – 16 April 1828
The sleep of reason produces monsters
1797-98; published 1799etching, aquatint on paperAccession no: 807G19 -
Francisco Goya 30 March 1746 – 16 April 1828
They are hot
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G31 -
Francisco Goya 30 March 1746 – 16 April 1828
They carried her off !
1797-98; published 1799etching, aquatint on paperAccession no: 807G26 -
Francisco Goya 30 March 1746 – 16 April 1828
They have flown
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G79 -
Francisco Goya 30 March 1746 – 16 April 1828
They say yes and give their hand to the first comer
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G20 -
Francisco Goya 30 March 1746 – 16 April 1828
They spin finely
1797-98; published 1799etching, aquatint, drypoint, engraving on paperAccession no: 807G62 -
Francisco Goya 30 March 1746 – 16 April 1828
They've already got a seat
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G44 -
Francisco Goya 30 March 1746 – 16 April 1828
Those specks of dust
1797-98; published 1799etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G41 -
Francisco Goya 30 March 1746 – 16 April 1828
To rise and to fall
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G74 -
Francisco Goya 30 March 1746 – 16 April 1828
To the Count Palatine or Count of the Palate
1797-98; published 1799etching, aquatint, drypoint, engraving on paperAccession no: 807G51 -
Francisco Goya 30 March 1746 – 16 April 1828
Trials
1797-98; published 1799etching, aquatint, engraving on paperAccession no: 807G78 -
Francisco Goya 30 March 1746 – 16 April 1828
Two of a kind
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G23 -
Francisco Goya 30 March 1746 – 16 April 1828
Wait till you've been anointed
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G85 -
Francisco Goya 30 March 1746 – 16 April 1828
What a golden beak!
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G71 -
Francisco Goya 30 March 1746 – 16 April 1828
What a sacrifice!
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G32 -
Francisco Goya 30 March 1746 – 16 April 1828
What a tailor can do!
1797-98; published 1799etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G70 -
Francisco Goya 30 March 1746 – 16 April 1828
What one does to another
1797-98; published 1799etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G69 -
Francisco Goya 30 March 1746 – 16 April 1828
When day breaks we will be off
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G89 -
Francisco Goya 30 March 1746 – 16 April 1828
Where is mother going?
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G83 -
Francisco Goya 30 March 1746 – 16 April 1828
Which of them is the more overcome?
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G45 -
Francisco Goya 30 March 1746 – 16 April 1828
Who would have thought it!
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G80 -
Francisco Goya 30 March 1746 – 16 April 1828
Why hide them?
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G48 -
Francisco Goya 30 March 1746 – 16 April 1828
Wonderful advice
1797-98; published 1799etching, burnished aquatint, engraving on paperAccession no: 807G33 -
Francisco Goya 30 March 1746 – 16 April 1828
Yes he broke the pot
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G43 -
Francisco Goya 30 March 1746 – 16 April 1828
You understand?... well, as I say... eh! Look out! otherwise...
1797-98; published 1799etching, burnished aquatint, drypoint on paperAccession no: 807G82 -
Francisco Goya 30 March 1746 – 16 April 1828
You who cannot
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G60 -
Francisco Goya 30 March 1746 – 16 April 1828
You will not escape
1797-98; published 1799etching, burnished aquatint on paperAccession no: 807G90