Francisco Goya
- Date of birth
- 30 March 1746
- Place of birth
- Fuendetodos, Aragón, Spain
- Date of death
- 16 April 1828
- Place of death
- Bordeaux, France
- Nationality
- Spain
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Francisco Goya 1746 – 1828
A Woman's Charity
1810-1815etching, lavis, engraving, burnishing on paperAccession no: 6512G104 -
Francisco Goya 1746 – 1828
A bad night
1797-98etching, burnished aquatint on paperAccession no: 807G54 -
Francisco Goya 1746 – 1828
A gift for the master
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G65 -
Francisco Goya 1746 – 1828
A way of flying
1816-23etching, aquatint, drypoint on paperAccession no: 608G28 -
Francisco Goya 1746 – 1828
Against the common good
1810-1815etching, burnishing on paperAccession no: 6512G126 -
Francisco Goya 1746 – 1828
All will fall
1797-98etching, burnished aquatint on paperAccession no: 807G37 -
Francisco Goya 1746 – 1828
An heroic feat! With dead men!
1810-1815etching, lavis, drypoint on paperAccession no: 6512G94 -
Francisco Goya 1746 – 1828
And his house is on fire
1797-98etching, burnished aquatint on paperAccession no: 807G36 -
Francisco Goya 1746 – 1828
And so was his grandfather
1797-98aquatint on paperAccession no: 807G57 -
Francisco Goya 1746 – 1828
And still they don't go!
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G77 -
Francisco Goya 1746 – 1828
And there's no help for it
1810-1815etching, drypoint, engraving, burnishing on paperAccession no: 6512G70 -
Francisco Goya 1746 – 1828
And they are like wild beasts
1810-1815etching, burnished aquatint, drypoint on paperAccession no: 6512G60 -
Francisco Goya 1746 – 1828
And this too
1810-1815etching, aquatint or lavis, drypoint, engraving on paperAccession no: 6512G100 -
Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)
Animal folly
1816-23etching, burnished aquatint, drypoint on paperAccession no: 707G29 -
Francisco Goya 1746 – 1828
Appeals are in vain
1810-1815etching, lavis, engraving, burnishing on paperAccession no: 6512G109 -
Francisco Goya 1746 – 1828
Barbarians!
1810-1815etching, burnished aquatint, engraving, burnishing on paperAccession no: 6512G93 -
Francisco Goya 1746 – 1828
Be quick, they are waking up
1797-98etching, burnished aquatint on paperAccession no: 807G66 -
Francisco Goya 1746 – 1828
Because she was susceptible
1797-98aquatint on paperAccession no: 807G50 -
Francisco Goya 1746 – 1828
Bitter to be present
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G68 -
Francisco Goya 1746 – 1828
Blow
1797-98etching, aquatint, drypoint, engraving on paperAccession no: 807G87 -
Francisco Goya 1746 – 1828
Bravissimo!
1797-98etching, burnished aquatint, drypoint on paperAccession no: 807G56 -
Francisco Goya 1746 – 1828
Bury them and keep quiet
1810-1815etching, burnished lavis, drypoint, engraving on paperAccession no: 6512G73 -
Francisco Goya 1746 – 1828
Can't anyone untie (annul) us?
1797-98etching, burnished aquatint on paperAccession no: 807G73 -
Francisco Goya 1746 – 1828
Carnival folly
1816-23etching, aquatint on paperAccession no: 608G29 -
Francisco Goya 1746 – 1828
Cartloads to the cemetery
1810-1815etching, aquatint, drypoint, engraving, burnishing on paperAccession no: 6512G119 -
Francisco Goya 1746 – 1828
Charity
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G82 -
Francisco Goya 1746 – 1828
Charlatans' Show
1810-1815etching, aquatint, drypoint, engraving on paperAccession no: 6512G130 -
Francisco Goya 1746 – 1828
Clear folly
1816-23etching, burnished aquatint, lavis on paperAccession no: 608G30 -
Francisco Goya 1746 – 1828
Correction
1797-98etching, burnished aquatint on paperAccession no: 807G64 -
Francisco Goya 1746 – 1828
Cruel tale of woe!
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G103 -
Francisco Goya 1746 – 1828
Devout profession
1797-98etching, aquatint, drypoint on paperAccession no: 807G88 -
Francisco Goya 1746 – 1828etching, aquatint, drypoint on paperAccession no: 608G22
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Francisco Goya 1746 – 1828
Don't scream, stupid
1797-98etching, burnished aquatint on paperAccession no: 807G84 -
Francisco Goya 1746 – 1828
Even thus he cannot make her out
1797-98etching, aquatint, drypoint on paperAccession no: 807G25 -
Francisco Goya 1746 – 1828
Even worse
1810-1815etching, lavis, engraving on paperAccession no: 6512G77 -
Francisco Goya 1746 – 1828
Everything is topsy-turvy
1810-1815etching, engraving on paperAccession no: 6512G97 -
Francisco Goya 1746 – 1828
Feline pantomime
1810-1815etching, engraving, burnishing on paperAccession no: 6512G128 -
Francisco Goya 1746 – 1828
Feminine folly
1816-23etching, aquatint, drypoint on paperAccession no: 608G16 -
Francisco Goya 1746 – 1828
Flying folly
1816-23etching, aquatint on paperAccession no: 608G20 -
Francisco Goya 1746 – 1828
Folly of fear
1816-23etching, burnished aquatint, drypoint on paperAccession no: 608G17 -
Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)etching, aquatint, drypoint on paperAccession no: 707G30
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Francisco Goya 1746 – 1828etching, aquatint, drypoint, engraving on paper, mounted on paper supportAccession no: 807G18
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Francisco Goya 1746 – 1828
Funereal folly
1816-23etching, burnished aquatint, engraving on paperAccession no: 608G33 -
Francisco Goya 1746 – 1828
Furious folly
1816-23etching, burnished aquatint on paperAccession no: 608G21 -
Francisco Goya 1746 – 1828
General folly
1816-23etching, burnished aquatint on paperAccession no: 608G24 -
Francisco Goya 1746 – 1828etching, aquatint, drypoint on paperAccession no: 807G34
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Francisco Goya 1746 – 1828
Harvest of the dead.
1810-1815etching, burnished aquatint on paperAccession no: 6512G118 -
Francisco Goya 1746 – 1828
He defends himself well.
1810-1815etching, drypoint, engraving, burnishing on paperAccession no: 6512G133 -
Francisco Goya 1746 – 1828
He deserved it
1810-1815etching, drypoint, engraving, burnishing on paperAccession no: 6512G84 -
Francisco Goya 1746 – 1828
He gets something out of it
1810-1815etching, drypoint, engraving on paperAccession no: 6512G95 -
Francisco Goya 1746 – 1828
Here comes the bogey-man
1797-98etching, burnished aquatint on paperAccession no: 807G21 -
Francisco Goya 1746 – 1828
Hobgoblins
1797-98etching, burnished aquatint on paperAccession no: 807G67 -
Francisco Goya 1746 – 1828
How they pluck her!
1797-98etching, burnished aquatint on paperAccession no: 807G39 -
Francisco Goya 1746 – 1828
Hush
1797-98etching, aquatint, engraving on paperAccession no: 807G46 -
Francisco Goya 1746 – 1828
I saw it
1810-1815etching, drypoint, engraving on paperAccession no: 6512G99 -
Francisco Goya 1746 – 1828
It always happens
1810-1815etching, drypoint on paperAccession no: 6512G63 -
Francisco Goya 1746 – 1828
It is better to be lazy
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G86 -
Francisco Goya 1746 – 1828
It is nicely stretched
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G35 -
Francisco Goya 1746 – 1828
It is time
1797-98etching, burnished aquatint on paperAccession no: 686G14 -
Francisco Goya 1746 – 1828
It is time
1797-98etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G53 -
Francisco Goya 1746 – 1828
It serves you right
1810-1815etching, lavis, engraving on paperAccession no: 6512G61 -
Francisco Goya 1746 – 1828
It will be the same
1810-1815etching, burnished lavis on paperAccession no: 6512G76 -
Francisco Goya 1746 – 1828
It's a hard step!
1810-1815etching, burnished lavis, drypoint, engraving on paperAccession no: 6512G69 -
Francisco Goya 1746 – 1828
It's no use crying out
1810-1815etching, burnished aquatint, engraving, burnishing on paperAccession no: 6512G113 -
Francisco Goya 1746 – 1828
Lads making ready
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G29 -
Francisco Goya 1746 – 1828
Look how solemn they are!
1797-98etching, aquatint, drypoint on paperAccession no: 807G81 -
Francisco Goya 1746 – 1828
Love and death
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G28 -
Francisco Goya 1746 – 1828
Loyalty
1816-23etching, burnished aquatint on paperAccession no: 608G32 -
Francisco Goya 1746 – 1828
May the cord break
1810-1815etching, aquatint, drypoint, burnishing on paperAccession no: 6512G132 -
Francisco Goya 1746 – 1828
Merry folly
1816-23etching, burnished aquatint, drypoint on paperAccession no: 608G27 -
Francisco Goya 1746 – 1828
Might not the pupil know more?
1797-98etching, aquatint, engraving on paperAccession no: 807G55 -
Francisco Goya 1746 – 1828
Nanny's boy
1797-98etching, burnished aquatint on paperAccession no: 807G22 -
Francisco Goya 1746 – 1828
Neither do these
1810-1815etching, lavis, drypoint, engraving on paperAccession no: 6512G66 -
Francisco Goya 1746 – 1828
Neither do they
1810-1815etching, engraving on paperAccession no: 6512G65 -
Francisco Goya 1746 – 1828
Neither more nor less
1797-98etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G59 -
Francisco Goya 1746 – 1828
No one has seen us
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G61 -
Francisco Goya 1746 – 1828
Nobody knows himself
1797-98etching, burnished aquatint on paperAccession no: 807G24 -
Francisco Goya 1746 – 1828
Nor this time
1810-1815etching, aquatint, drypoint, engraving, burnishing on paperAccession no: 6512G91 -
Francisco Goya 1746 – 1828
Nothing could be done about it
1797-98etching, burnished aquatint on paperAccession no: 807G42 -
Francisco Goya 1746 – 1828
Nothing. The event will tell.
1810-1815etching, burnished aquatint, lavis, drypoint, engraving on paperAccession no: 6512G124 -
Francisco Goya 1746 – 1828
Of what ill will he die?
1797-98etching, aquatint on paperAccession no: 807G58 -
Francisco Goya 1746 – 1828
On account of a knife
1810-1815etching, drypoint, engraving, burnishing on paperAccession no: 6512G89 -
Francisco Goya 1746 – 1828
One can't look
1810-1815etching, burnished lavis, drypoint, engraving on paperAccession no: 6512G81 -
Francisco Goya 1746 – 1828
One can't tell why
1810-1815etching, burnished lavis, drypoint, engraving on paperAccession no: 6512G90 -
Francisco Goya 1746 – 1828
Out hunting for teeth
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G30 -
Francisco Goya 1746 – 1828
Perhaps they are of another breed
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G116 -
Francisco Goya 1746 – 1828
Poor folly
1816-23etching, burnished aquatint, drypoint, engraving on paperAccession no: 608G26 -
Francisco Goya 1746 – 1828
Poor little girls!
1797-98etching, burnished aquatint on paperAccession no: 807G40 -
Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)
Punctual folly
1816-23etching, aquatint, drypoint on paperAccession no: 707G31 -
Francisco Goya 1746 – 1828
Rabble
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G83 -
Francisco Goya 1746 – 1828
Ravages of war
1810-1815etching, drypoint, engraving, burnishing on paperAccession no: 6512G85 -
Francisco Goya 1746 – 1828
Ridiculous folly
1816-23etching, aquatint, drypoint on paperAccession no: 608G18 -
Francisco Goya 1746 – 1828
Rightly or wrongly
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G57 -
Francisco Goya 1746 – 1828etching, engraving, drypoint, burnishing on paperAccession no: 6512G56
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Francisco Goya 1746 – 1828
She fleeces him
1797-98etching, burnished aquatint on paperAccession no: 554G5 -
Francisco Goya 1746 – 1828
She prays for her
1797-98etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G49 -
Francisco Goya 1746 – 1828
Simpleton
1816-23etching, burnished aquatint, engraving, drypoint on paperAccession no: 608G19 -
Francisco Goya 1746 – 1828
Sleep overcomes them
1797-98etching, burnished aquatint on paperAccession no: 807G52 -
Francisco Goya 1746 – 1828
Strange devotion!
1810-1815etching, aquatint, burnishing on paperAccession no: 6512G121 -
Francisco Goya 1746 – 1828
Swallow it, dog
1797-98etching, burnished aquatint, drypoint on paperAccession no: 807G76 -
Francisco Goya 1746 – 1828
Take care of them, and on to the next
1810-1815etching, lavis, engraving, burnishing on paperAccession no: 6512G75 -
Francisco Goya 1746 – 1828
Tantalus
1797-98etching, burnished aquatint on paperAccession no: 807G27 -
Francisco Goya 1746 – 1828
Thanks to the millet
1810-1815etching, burnished aquatint on paperAccession no: 6512G106 -
Francisco Goya 1746 – 1828etching, burnished aquatint, drypoint on paperAccession no: 807G47
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Francisco Goya 1746 – 1828
That is the worst of it!
1810-1815etching, burnishing on paperAccession no: 6512G129 -
Francisco Goya 1746 – 1828
That's tough!
1810-1815etching, burnished aquatint, drypoint on paperAccession no: 6512G86 -
Francisco Goya 1746 – 1828
The Chinchillas
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G68 -
Francisco Goya 1746 – 1828
The beds of death
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G117 -
Francisco Goya 1746 – 1828
The carnivorous vulture
1810-1815etching, engraving, burnishing on paperAccession no: 6512G131 -
Francisco Goya 1746 – 1828
The consequences.
1810-1815etching on paperAccession no: 6512G127 -
Francisco Goya 1746 – 1828
The filiation
1797-98etching, aquatint on paperAccession no: 807G75 -
Francisco Goya 1746 – 1828
The healthy and the sick
1810-1815etching, burnished aquatint, engraving, burnishing on paperAccession no: 6512G112 -
Francisco Goya 1746 – 1828
The horse-abductor
1816-23etching, burnished aquatint, drypoint on paperAccession no: 608G25 -
Francisco Goya 1746 – 1828
The men in sacks
1816-23etching, burnished aquatint on paperAccession no: 608G23 -
Francisco Goya 1746 – 1828etching, burnished aquatint, drypoint on paperAccession no: 20063G13
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Francisco Goya 1746 – 1828
The same
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G58 -
Francisco Goya 1746 – 1828
The same elsewhere
1810-1815etching, lavis, drypoint, engraving on paperAccession no: 6512G78 -
Francisco Goya 1746 – 1828
The shamefaced one
1797-98etching, aquatint on paperAccession no: 807G72 -
Francisco Goya 1746 – 1828etching, aquatint on paperAccession no: 807G19
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Francisco Goya 1746 – 1828
The women give courgage
1810-1815etching, aquatint, lavis, drypoint, burnishing on paperAccession no: 6512G59 -
Francisco Goya 1746 – 1828
The worst is to beg
1810-1815etching, lavis, burnishing on paperAccession no: 6512G110 -
Francisco Goya 1746 – 1828
There is no one to help them
1810-1815etching, aquatint, engraving, burnishing on paperAccession no: 6512G115 -
Francisco Goya 1746 – 1828
There is plenty to suck
1797-98etching, burnished aquatint on paperAccession no: 807G63 -
Francisco Goya 1746 – 1828
There isn't time now
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G74 -
Francisco Goya 1746 – 1828etching, burnished aquatint, drypoint on paperAccession no: 807G38
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Francisco Goya 1746 – 1828
There was nothing to be done and he died
1810-1815etching, burnished aquatint, lavis, engraving, burnishing on paperAccession no: 6512G108 -
Francisco Goya 1746 – 1828
These too
1810-1815etching, drypoint, engraving on paperAccession no: 6512G80 -
Francisco Goya 1746 – 1828
They are hot
1797-98etching, burnished aquatint on paperAccession no: 807G31 -
Francisco Goya 1746 – 1828
They can still be of use
1810-1815etching, burnishing on paperAccession no: 6512G79 -
Francisco Goya 1746 – 1828
They carried her off !
1797-98etching, aquatint on paperAccession no: 807G26 -
Francisco Goya 1746 – 1828
They do not agree
1810-1815etching, drypoint, engraving, burnishing on paperAccession no: 6512G72 -
Francisco Goya 1746 – 1828
They do not arrive in time
1810-1815etching, lavis, drypoint, engraving on paperAccession no: 6512G107 -
Francisco Goya 1746 – 1828
They do not know the way
1810-1815etching, drypoint, engraving, burnishing on paperAccession no: 6512G125 -
Francisco Goya 1746 – 1828
They don't like it
1810-1815etching, aquatint, drypoint, engraving, burnishing on paperAccession no: 6512G64 -
Francisco Goya 1746 – 1828
They escape through the flames
1810-1815Etching, engraving on paperAccession no: 6512G96 -
Francisco Goya 1746 – 1828
They have flown
1797-98etching, aquatint, drypoint on paperAccession no: 807G79 -
Francisco Goya 1746 – 1828
They loose dogs on the bull
c.1816etching, burnished aquatint, drypoint on paperAccession no: 20063G12 -
Francisco Goya 1746 – 1828
They make use of them
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G71 -
Francisco Goya 1746 – 1828etching, burnished aquatint on paperAccession no: 807G20
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Francisco Goya 1746 – 1828
They spin finely
1797-98etching, aquatint, drypoint, engraving on paperAccession no: 807G62 -
Francisco Goya 1746 – 1828
They've already got a seat
1797-98etching, burnished aquatint on paperAccession no: 807G44 -
Francisco Goya 1746 – 1828
This is bad
1810-1815Etching, burnished aquatint, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G101 -
Francisco Goya 1746 – 1828
This is how it happened
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G102 -
Francisco Goya 1746 – 1828
This is not less so
1810-1815etching, aquatint, drypoint, engraving, burnishing on paperAccession no: 6512G122 -
Francisco Goya 1746 – 1828
This is what you were born for
1810-1815etching, lavis, drypoint, engraving on paperAccession no: 6512G67 -
Francisco Goya 1746 – 1828
This is worse
1810-1815etching, lavis, drypoint on paperAccession no: 6512G92 -
Francisco Goya 1746 – 1828
This too
1810-1815etching, burnished aquatint, burnishing on paperAccession no: 6512G98 -
Francisco Goya 1746 – 1828
Those specks of dust
1797-98etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G41 -
Francisco Goya 1746 – 1828
To rise and to fall
1797-98etching, burnished aquatint on paperAccession no: 807G74 -
Francisco Goya 1746 – 1828etching, aquatint, drypoint, engraving on paperAccession no: 807G51
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Francisco Goya 1746 – 1828
To the cemetery
1810-1815etching, lavis, drypoint on paperAccession no: 6512G111 -
Francisco Goya 1746 – 1828
Trials
1797-98etching, aquatint, engraving on paperAccession no: 807G78 -
Francisco Goya 1746 – 1828
Triple folly
1816-23etching, burnished aquatint on paperAccession no: 608G31 -
Francisco Goya 1746 – 1828
Truth has died
1810-1815etching, burnishing on paperAccession no: 6512G134 -
Francisco Goya 1746 – 1828
Two of a kind
1797-98etching, burnished aquatint on paperAccession no: 807G23 -
Francisco Goya 1746 – 1828
Unhappy mother!
1810-1815etching, burnished aquatint, drypoint on paperAccession no: 6512G105 -
Francisco Goya 1746 – 1828
Wait till you've been anointed
1797-98etching, burnished aquatint, drypoint on paperAccession no: 807G85 -
Francisco Goya 1746 – 1828
Well-known folly
1816-23etching, burnished aquatint on paperAccession no: 707G32 -
Francisco Goya 1746 – 1828
What a golden beak!
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G71 -
Francisco Goya 1746 – 1828
What a sacrifice!
1797-98etching, burnished aquatint, drypoint on paperAccession no: 807G32 -
Francisco Goya 1746 – 1828
What a tailor can do!
1797-98etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G70 -
Francisco Goya 1746 – 1828
What courage !
1810-1815etching, aquatint, drypoint, engraving, burnishing on paperAccession no: 6512G62 -
Francisco Goya 1746 – 1828
What is this hubbub?
1810-1815etching, aquatint, engraving, burnishing on paperAccession no: 6512G120 -
Francisco Goya 1746 – 1828
What madness!
1810-1815etching, lavis, engraving on paperAccession no: 6512G123 -
Francisco Goya 1746 – 1828
What more can be done?
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G88 -
Francisco Goya 1746 – 1828
What one does to another
1797-98etching, burnished aquatint, drypoint, engraving on paperAccession no: 807G69 -
Francisco Goya 1746 – 1828
What's the use of a bowl?
1810-1815etching, burnished aquatint, lavis on paperAccession no: 6512G114 -
Francisco Goya 1746 – 1828
When day breaks we will be off
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G89 -
Francisco Goya 1746 – 1828
Where is mother going?
1797-98etching, aquatint, drypoint on paperAccession no: 807G83 -
Francisco Goya 1746 – 1828etching, aquatint, drypoint on paperAccession no: 807G45
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Francisco Goya 1746 – 1828
Who would have thought it!
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G80 -
Francisco Goya 1746 – 1828
Why hide them?
1797-98etching, burnished aquatint, drypoint on paperAccession no: 807G48 -
Francisco Goya 1746 – 1828
Why?
1810-1815etching, lavis, drypoint, engraving, burnishing on paperAccession no: 6512G87 -
Francisco Goya 1746 – 1828
Will she rise again?
1810-1815etching, burnishing on paperAccession no: 6512G135 -
Francisco Goya 1746 – 1828
Wonderful advice
1797-98etching, burnished aquatint, engraving on paperAccession no: 807G33 -
Francisco Goya 1746 – 1828
Yes he broke the pot
1797-98etching, aquatint, drypoint on paperAccession no: 807G43 -
Francisco Goya 1746 – 1828etching, burnished aquatint, drypoint on paperAccession no: 807G82
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Francisco Goya 1746 – 1828
You who cannot
1797-98etching, burnished aquatint on paperAccession no: 807G60 -
Francisco Goya 1746 – 1828
You will not escape
1797-98etching, burnished aquatint on paperAccession no: 807G90