Francisco Goya

  • Francisco Goya, Spain, 1746 - 1828, Francisco Goya y Lucientes, painter, plate 1 from the series Los Caprichos (The Caprices), 1797-98, Madrid; published 1799, Madrid, etching, aquatint, drypoint, engraving on paper, mounted on paper support, 13.5 x 11.3 cm (image), 17.6 x 12.7 cm (sheet), 31.2 x 20.7 cm (paper support); South Australian Government Grant 1980, Art Gallery of South Australia, Adelaide.

Date of birth
30 March 1746
Place of birth
Fuendetodos, Aragón, Spain
Date of death
16 April 1828
Place of death
Bordeaux, France
Nationality
Spain
  • Francisco Goya 1746 – 1828

    A Woman's Charity

    1810-1815
    etching, lavis, engraving, burnishing on paper
    Accession no: 6512G104
  • Francisco Goya 1746 – 1828

    A bad night

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G54
  • Francisco Goya 1746 – 1828

    A gift for the master

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G65
  • Francisco Goya 1746 – 1828

    A way of flying

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 608G28
  • Francisco Goya 1746 – 1828

    Against the common good

    1810-1815
    etching, burnishing on paper
    Accession no: 6512G126
  • Francisco Goya 1746 – 1828

    All will fall

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G37
  • Francisco Goya 1746 – 1828

    An heroic feat! With dead men!

    1810-1815
    etching, lavis, drypoint on paper
    Accession no: 6512G94
  • Francisco Goya 1746 – 1828

    And his house is on fire

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G36
  • Francisco Goya 1746 – 1828

    And so was his grandfather

    1797-98
    aquatint on paper
    Accession no: 807G57
  • Francisco Goya 1746 – 1828

    And still they don't go!

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G77
  • Francisco Goya 1746 – 1828

    And there's no help for it

    1810-1815
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G70
  • Francisco Goya 1746 – 1828

    And they are like wild beasts

    1810-1815
    etching, burnished aquatint, drypoint on paper
    Accession no: 6512G60
  • Francisco Goya 1746 – 1828

    And this too

    1810-1815
    etching, aquatint or lavis, drypoint, engraving on paper
    Accession no: 6512G100
  • Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)

    Animal folly

    1816-23
    etching, burnished aquatint, drypoint on paper
    Accession no: 707G29
  • Francisco Goya 1746 – 1828

    Appeals are in vain

    1810-1815
    etching, lavis, engraving, burnishing on paper
    Accession no: 6512G109
  • Francisco Goya 1746 – 1828

    Barbarians!

    1810-1815
    etching, burnished aquatint, engraving, burnishing on paper
    Accession no: 6512G93
  • Francisco Goya 1746 – 1828

    Be quick, they are waking up

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G66
  • Francisco Goya 1746 – 1828

    Because she was susceptible

    1797-98
    aquatint on paper
    Accession no: 807G50
  • Francisco Goya 1746 – 1828

    Bitter to be present

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G68
  • Francisco Goya 1746 – 1828

    Blow

    1797-98
    etching, aquatint, drypoint, engraving on paper
    Accession no: 807G87
  • Francisco Goya 1746 – 1828

    Bravissimo!

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G56
  • Francisco Goya 1746 – 1828

    Bury them and keep quiet

    1810-1815
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G73
  • Francisco Goya 1746 – 1828

    Can't anyone untie (annul) us?

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G73
  • Francisco Goya 1746 – 1828

    Carnival folly

    1816-23
    etching, aquatint on paper
    Accession no: 608G29
  • Francisco Goya 1746 – 1828

    Cartloads to the cemetery

    1810-1815
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G119
  • Francisco Goya 1746 – 1828

    Charity

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G82
  • Francisco Goya 1746 – 1828

    Charlatans' Show

    1810-1815
    etching, aquatint, drypoint, engraving on paper
    Accession no: 6512G130
  • Francisco Goya 1746 – 1828

    Clear folly

    1816-23
    etching, burnished aquatint, lavis on paper
    Accession no: 608G30
  • Francisco Goya 1746 – 1828

    Correction

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G64
  • Francisco Goya 1746 – 1828

    Cruel tale of woe!

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G103
  • Francisco Goya 1746 – 1828

    Devout profession

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G88
  • Francisco Goya 1746 – 1828

    Disorderly folly or Matrimonial folly

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 608G22
  • Francisco Goya 1746 – 1828

    Don't scream, stupid

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G84
  • Francisco Goya 1746 – 1828

    Even thus he cannot make her out

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G25
  • Francisco Goya 1746 – 1828

    Even worse

    1810-1815
    etching, lavis, engraving on paper
    Accession no: 6512G77
  • Francisco Goya 1746 – 1828

    Everything is topsy-turvy

    1810-1815
    etching, engraving on paper
    Accession no: 6512G97
  • Francisco Goya 1746 – 1828

    Feline pantomime

    1810-1815
    etching, engraving, burnishing on paper
    Accession no: 6512G128
  • Francisco Goya 1746 – 1828

    Feminine folly

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 608G16
  • Francisco Goya 1746 – 1828

    Flying folly

    1816-23
    etching, aquatint on paper
    Accession no: 608G20
  • Francisco Goya 1746 – 1828

    Folly of fear

    1816-23
    etching, burnished aquatint, drypoint on paper
    Accession no: 608G17
  • Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)

    Fools' - or little bulls' - folly

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 707G30
  • Francisco Goya 1746 – 1828

    Francisco Goya y Lucientes, painter

    1797-98
    etching, aquatint, drypoint, engraving on paper, mounted on paper support
    Accession no: 807G18
  • Francisco Goya 1746 – 1828

    Funereal folly

    1816-23
    etching, burnished aquatint, engraving on paper
    Accession no: 608G33
  • Francisco Goya 1746 – 1828

    Furious folly

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G21
  • Francisco Goya 1746 – 1828

    General folly

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G24
  • Francisco Goya 1746 – 1828

    God forgive her: and it was her mother

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G34
  • Francisco Goya 1746 – 1828

    Harvest of the dead.

    1810-1815
    etching, burnished aquatint on paper
    Accession no: 6512G118
  • Francisco Goya 1746 – 1828

    He defends himself well.

    1810-1815
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G133
  • Francisco Goya 1746 – 1828

    He deserved it

    1810-1815
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G84
  • Francisco Goya 1746 – 1828

    He gets something out of it

    1810-1815
    etching, drypoint, engraving on paper
    Accession no: 6512G95
  • Francisco Goya 1746 – 1828

    Here comes the bogey-man

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G21
  • Francisco Goya 1746 – 1828

    Hobgoblins

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G67
  • Francisco Goya 1746 – 1828

    How they pluck her!

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G39
  • Francisco Goya 1746 – 1828

    Hush

    1797-98
    etching, aquatint, engraving on paper
    Accession no: 807G46
  • Francisco Goya 1746 – 1828

    I saw it

    1810-1815
    etching, drypoint, engraving on paper
    Accession no: 6512G99
  • Francisco Goya 1746 – 1828

    It always happens

    1810-1815
    etching, drypoint on paper
    Accession no: 6512G63
  • Francisco Goya 1746 – 1828

    It is better to be lazy

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G86
  • Francisco Goya 1746 – 1828

    It is nicely stretched

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G35
  • Francisco Goya 1746 – 1828

    It is time

    1797-98
    etching, burnished aquatint on paper
    Accession no: 686G14
  • Francisco Goya 1746 – 1828

    It is time

    1797-98
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G53
  • Francisco Goya 1746 – 1828

    It serves you right

    1810-1815
    etching, lavis, engraving on paper
    Accession no: 6512G61
  • Francisco Goya 1746 – 1828

    It will be the same

    1810-1815
    etching, burnished lavis on paper
    Accession no: 6512G76
  • Francisco Goya 1746 – 1828

    It's a hard step!

    1810-1815
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G69
  • Francisco Goya 1746 – 1828

    It's no use crying out

    1810-1815
    etching, burnished aquatint, engraving, burnishing on paper
    Accession no: 6512G113
  • Francisco Goya 1746 – 1828

    Lads making ready

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G29
  • Francisco Goya 1746 – 1828

    Look how solemn they are!

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G81
  • Francisco Goya 1746 – 1828

    Love and death

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G28
  • Francisco Goya 1746 – 1828

    Loyalty

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G32
  • Francisco Goya 1746 – 1828

    May the cord break

    1810-1815
    etching, aquatint, drypoint, burnishing on paper
    Accession no: 6512G132
  • Francisco Goya 1746 – 1828

    Merry folly

    1816-23
    etching, burnished aquatint, drypoint on paper
    Accession no: 608G27
  • Francisco Goya 1746 – 1828

    Might not the pupil know more?

    1797-98
    etching, aquatint, engraving on paper
    Accession no: 807G55
  • Francisco Goya 1746 – 1828

    Nanny's boy

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G22
  • Francisco Goya 1746 – 1828

    Neither do these

    1810-1815
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G66
  • Francisco Goya 1746 – 1828

    Neither do they

    1810-1815
    etching, engraving on paper
    Accession no: 6512G65
  • Francisco Goya 1746 – 1828

    Neither more nor less

    1797-98
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G59
  • Francisco Goya 1746 – 1828

    No one has seen us

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G61
  • Francisco Goya 1746 – 1828

    Nobody knows himself

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G24
  • Francisco Goya 1746 – 1828

    Nor this time

    1810-1815
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G91
  • Francisco Goya 1746 – 1828

    Nothing could be done about it

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G42
  • Francisco Goya 1746 – 1828

    Nothing. The event will tell.

    1810-1815
    etching, burnished aquatint, lavis, drypoint, engraving on paper
    Accession no: 6512G124
  • Francisco Goya 1746 – 1828

    Of what ill will he die?

    1797-98
    etching, aquatint on paper
    Accession no: 807G58
  • Francisco Goya 1746 – 1828

    On account of a knife

    1810-1815
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G89
  • Francisco Goya 1746 – 1828

    One can't look

    1810-1815
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G81
  • Francisco Goya 1746 – 1828

    One can't tell why

    1810-1815
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G90
  • Francisco Goya 1746 – 1828

    Out hunting for teeth

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G30
  • Francisco Goya 1746 – 1828

    Perhaps they are of another breed

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G116
  • Francisco Goya 1746 – 1828

    Poor folly

    1816-23
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 608G26
  • Francisco Goya 1746 – 1828

    Poor little girls!

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G40
  • Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)

    Punctual folly

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 707G31
  • Francisco Goya 1746 – 1828

    Rabble

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G83
  • Francisco Goya 1746 – 1828

    Ravages of war

    1810-1815
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G85
  • Francisco Goya 1746 – 1828

    Ridiculous folly

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 608G18
  • Francisco Goya 1746 – 1828

    Rightly or wrongly

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G57
  • Francisco Goya 1746 – 1828

    Sad forebodings of what is going to happen

    1810-1815
    etching, engraving, drypoint, burnishing on paper
    Accession no: 6512G56
  • Francisco Goya 1746 – 1828

    She fleeces him

    1797-98
    etching, burnished aquatint on paper
    Accession no: 554G5
  • Francisco Goya 1746 – 1828

    She prays for her

    1797-98
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G49
  • Francisco Goya 1746 – 1828

    Simpleton

    1816-23
    etching, burnished aquatint, engraving, drypoint on paper
    Accession no: 608G19
  • Francisco Goya 1746 – 1828

    Sleep overcomes them

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G52
  • Francisco Goya 1746 – 1828

    Strange devotion!

    1810-1815
    etching, aquatint, burnishing on paper
    Accession no: 6512G121
  • Francisco Goya 1746 – 1828

    Swallow it, dog

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G76
  • Francisco Goya 1746 – 1828

    Take care of them, and on to the next

    1810-1815
    etching, lavis, engraving, burnishing on paper
    Accession no: 6512G75
  • Francisco Goya 1746 – 1828

    Tantalus

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G27
  • Francisco Goya 1746 – 1828

    Thanks to the millet

    1810-1815
    etching, burnished aquatint on paper
    Accession no: 6512G106
  • Francisco Goya 1746 – 1828

    That certainly is being able to read

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G47
  • Francisco Goya 1746 – 1828

    That is the worst of it!

    1810-1815
    etching, burnishing on paper
    Accession no: 6512G129
  • Francisco Goya 1746 – 1828

    That's tough!

    1810-1815
    etching, burnished aquatint, drypoint on paper
    Accession no: 6512G86
  • Francisco Goya 1746 – 1828

    The Chinchillas

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G68
  • Francisco Goya 1746 – 1828

    The beds of death

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G117
  • Francisco Goya 1746 – 1828

    The carnivorous vulture

    1810-1815
    etching, engraving, burnishing on paper
    Accession no: 6512G131
  • Francisco Goya 1746 – 1828

    The consequences.

    1810-1815
    etching on paper
    Accession no: 6512G127
  • Francisco Goya 1746 – 1828

    The filiation

    1797-98
    etching, aquatint on paper
    Accession no: 807G75
  • Francisco Goya 1746 – 1828

    The healthy and the sick

    1810-1815
    etching, burnished aquatint, engraving, burnishing on paper
    Accession no: 6512G112
  • Francisco Goya 1746 – 1828

    The horse-abductor

    1816-23
    etching, burnished aquatint, drypoint on paper
    Accession no: 608G25
  • Francisco Goya 1746 – 1828

    The men in sacks

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G23
  • Francisco Goya 1746 – 1828

    The moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open

    c.1816
    etching, burnished aquatint, drypoint on paper
    Accession no: 20063G13
  • Francisco Goya 1746 – 1828

    The same

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G58
  • Francisco Goya 1746 – 1828

    The same elsewhere

    1810-1815
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G78
  • Francisco Goya 1746 – 1828

    The shamefaced one

    1797-98
    etching, aquatint on paper
    Accession no: 807G72
  • Francisco Goya 1746 – 1828

    The sleep of reason produces monsters

    1797-98
    etching, aquatint on paper
    Accession no: 807G19
  • Francisco Goya 1746 – 1828

    The women give courgage

    1810-1815
    etching, aquatint, lavis, drypoint, burnishing on paper
    Accession no: 6512G59
  • Francisco Goya 1746 – 1828

    The worst is to beg

    1810-1815
    etching, lavis, burnishing on paper
    Accession no: 6512G110
  • Francisco Goya 1746 – 1828

    There is no one to help them

    1810-1815
    etching, aquatint, engraving, burnishing on paper
    Accession no: 6512G115
  • Francisco Goya 1746 – 1828

    There is plenty to suck

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G63
  • Francisco Goya 1746 – 1828

    There isn't time now

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G74
  • Francisco Goya 1746 – 1828

    There they go plucked (ie fleeced)

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G38
  • Francisco Goya 1746 – 1828

    There was nothing to be done and he died

    1810-1815
    etching, burnished aquatint, lavis, engraving, burnishing on paper
    Accession no: 6512G108
  • Francisco Goya 1746 – 1828

    These too

    1810-1815
    etching, drypoint, engraving on paper
    Accession no: 6512G80
  • Francisco Goya 1746 – 1828

    They are hot

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G31
  • Francisco Goya 1746 – 1828

    They can still be of use

    1810-1815
    etching, burnishing on paper
    Accession no: 6512G79
  • Francisco Goya 1746 – 1828

    They carried her off !

    1797-98
    etching, aquatint on paper
    Accession no: 807G26
  • Francisco Goya 1746 – 1828

    They do not agree

    1810-1815
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G72
  • Francisco Goya 1746 – 1828

    They do not arrive in time

    1810-1815
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G107
  • Francisco Goya 1746 – 1828

    They do not know the way

    1810-1815
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G125
  • Francisco Goya 1746 – 1828

    They don't like it

    1810-1815
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G64
  • Francisco Goya 1746 – 1828

    They escape through the flames

    1810-1815
    Etching, engraving on paper
    Accession no: 6512G96
  • Francisco Goya 1746 – 1828

    They have flown

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G79
  • Francisco Goya 1746 – 1828

    They loose dogs on the bull

    c.1816
    etching, burnished aquatint, drypoint on paper
    Accession no: 20063G12
  • Francisco Goya 1746 – 1828

    They make use of them

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G71
  • Francisco Goya 1746 – 1828

    They say yes and give their hand to the first comer

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G20
  • Francisco Goya 1746 – 1828

    They spin finely

    1797-98
    etching, aquatint, drypoint, engraving on paper
    Accession no: 807G62
  • Francisco Goya 1746 – 1828

    They've already got a seat

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G44
  • Francisco Goya 1746 – 1828

    This is bad

    1810-1815
    Etching, burnished aquatint, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G101
  • Francisco Goya 1746 – 1828

    This is how it happened

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G102
  • Francisco Goya 1746 – 1828

    This is not less so

    1810-1815
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G122
  • Francisco Goya 1746 – 1828

    This is what you were born for

    1810-1815
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G67
  • Francisco Goya 1746 – 1828

    This is worse

    1810-1815
    etching, lavis, drypoint on paper
    Accession no: 6512G92
  • Francisco Goya 1746 – 1828

    This too

    1810-1815
    etching, burnished aquatint, burnishing on paper
    Accession no: 6512G98
  • Francisco Goya 1746 – 1828

    Those specks of dust

    1797-98
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G41
  • Francisco Goya 1746 – 1828

    To rise and to fall

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G74
  • Francisco Goya 1746 – 1828

    To the Count Palatine or Count of the Palate

    1797-98
    etching, aquatint, drypoint, engraving on paper
    Accession no: 807G51
  • Francisco Goya 1746 – 1828

    To the cemetery

    1810-1815
    etching, lavis, drypoint on paper
    Accession no: 6512G111
  • Francisco Goya 1746 – 1828

    Trials

    1797-98
    etching, aquatint, engraving on paper
    Accession no: 807G78
  • Francisco Goya 1746 – 1828

    Triple folly

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G31
  • Francisco Goya 1746 – 1828

    Truth has died

    1810-1815
    etching, burnishing on paper
    Accession no: 6512G134
  • Francisco Goya 1746 – 1828

    Two of a kind

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G23
  • Francisco Goya 1746 – 1828

    Unhappy mother!

    1810-1815
    etching, burnished aquatint, drypoint on paper
    Accession no: 6512G105
  • Francisco Goya 1746 – 1828

    Wait till you've been anointed

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G85
  • Francisco Goya 1746 – 1828

    Well-known folly

    1816-23
    etching, burnished aquatint on paper
    Accession no: 707G32
  • Francisco Goya 1746 – 1828

    What a golden beak!

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G71
  • Francisco Goya 1746 – 1828

    What a sacrifice!

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G32
  • Francisco Goya 1746 – 1828

    What a tailor can do!

    1797-98
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G70
  • Francisco Goya 1746 – 1828

    What courage !

    1810-1815
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G62
  • Francisco Goya 1746 – 1828

    What is this hubbub?

    1810-1815
    etching, aquatint, engraving, burnishing on paper
    Accession no: 6512G120
  • Francisco Goya 1746 – 1828

    What madness!

    1810-1815
    etching, lavis, engraving on paper
    Accession no: 6512G123
  • Francisco Goya 1746 – 1828

    What more can be done?

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G88
  • Francisco Goya 1746 – 1828

    What one does to another

    1797-98
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G69
  • Francisco Goya 1746 – 1828

    What's the use of a bowl?

    1810-1815
    etching, burnished aquatint, lavis on paper
    Accession no: 6512G114
  • Francisco Goya 1746 – 1828

    When day breaks we will be off

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G89
  • Francisco Goya 1746 – 1828

    Where is mother going?

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G83
  • Francisco Goya 1746 – 1828

    Which of them is the more overcome?

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G45
  • Francisco Goya 1746 – 1828

    Who would have thought it!

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G80
  • Francisco Goya 1746 – 1828

    Why hide them?

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G48
  • Francisco Goya 1746 – 1828

    Why?

    1810-1815
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G87
  • Francisco Goya 1746 – 1828

    Will she rise again?

    1810-1815
    etching, burnishing on paper
    Accession no: 6512G135
  • Francisco Goya 1746 – 1828

    Wonderful advice

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G33
  • Francisco Goya 1746 – 1828

    Yes he broke the pot

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G43
  • Francisco Goya 1746 – 1828

    You understand?... well, as I say... eh! Look out! otherwise...

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G82
  • Francisco Goya 1746 – 1828

    You who cannot

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G60
  • Francisco Goya 1746 – 1828

    You will not escape

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G90