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Displaying 9,625-9648 of 20,169 Works

  • Alfred Vincent 1874 – 1915

    Not sure to a year or so

    1919
    pen & ink on paper
    Accession no: 476D4
  • Arthur Hughes 1832 – 1915

    Not yet to her was nature's age in gnarled and hollowed shapes revealed

    c.1872
    pen & ink on paper
    Accession no: 01D6
  • Gordon Bennett 10 August 1955 – 3 June 2014

    Notes to Basquiat (City)

    2002
    synthetic polymer paint on linen
    Accession no: 20025P22
  • Francisco Goya 30 March 1746 – 16 April 1828

    Nothing could be done about it

    1797-98; published 1799
    etching, burnished aquatint on paper
    Accession no: 807G42
  • Francisco Goya 30 March 1746 – 16 April 1828

    Nothing. The event will tell.

    1810-15; published 1863
    etching, burnished aquatint, lavis, drypoint, engraving on paper
    Accession no: 6512G124
  • Sōko Gesshū 1618 – 1696

    Nothingness (mu)

    c.1650
    hanging scroll, ink on paper
    Accession no: 20177P207
  • Albert Marquet 1875 – 1947

    Notre-Dame

    1927
    etching, printed in sepia ink, hand-coloured with watercolour on paper
    Accession no: 20174G104(j)
  • Eric Wilson 1911 – 1947

    Notre Dame, Paris

    1939
    pen & brown ink, wash on paper
    Accession no: 588D9
  • Unknown

    Noulabil (the spirit man)

    1949
    natural ochres on eucalyptus bark
    Accession no: 0.1768
  • Choubard (engraver) active 1807-1830 , after Charles-Alexandre Lesueur 1778 – 1846

    Nouvelle Hollande Kangaroo a bandes (Striped kangaroo, New Holland)

    1800-04
    coloured etching, hand coloured on paper
    Accession no: 7012G107
  • Choubard (engraver) active 1807-1830 , after Charles-Alexandre Lesueur 1778 – 1846

    Nouvelle Hollande: Le Wombat (King Island wombat, New Holland)

    c.1807
    coloured etching, hand coloured on paper
    Accession no: 7012G108
  • Claude-Francois Fortier (engraver) 1775 – 1835 , after Charles-Alexandre Lesueur 1778 – 1846

    Nouvelle Hollande: Terre Napoleon

    1800-04
    engraving, hand coloured on paper
    Accession no: 6814G42
  • Barthelemy Roger (engraver) 1767 – 1841 , after Nicolas Martin Petit 1777 – 1804

    Nouvelle-Hollande: Y-Erran-Gou-La-Ga

    c.1807
    coloured engraving, hand coloured on paper
    Accession no: 7012G99
  • Jan van de Velde II c.1593 – 1641

    November

    c.1616-18
    etching on paper
    Accession no: 6412G54
  • John Flaxman 1755 – 1826

    Novitiate spirits surrounded by a heavenly sphere

    late 1790s?
    pen & ink wash, pencil on paper
    Accession no: 804D8
  • Richard Bell 1953

    Now

    2001
    earth pigments and synthetic polymer paint on linen
    Accession no: 20182P9
  • John Brack 20 May 1920 – 11 February 1999

    Now and then

    1986
    oil on canvas
    Accession no: 933P17
    On display, Gallery 6
  • Geoffrey Brown 1926 – 16 October 2014

    Nucleus no. 1

    1964
    etching, aquatint, printed in red & brown inks on paper
    Accession no: 20146G79
  • Bernard Meninsky 1891 – 1950

    Nude

    1945
    oil on canvas
    Accession no: 0.1323
  • Gustav Klimt 1862 – 1918

    Nude

    c.1908
    pencil on light brown paper
    Accession no: 679D5
  • Fred Williams 1927 – 1982

    Nude

    1965
    etching, aquatint, drypoint, rough biting, engraving on paper
    Accession no: 20174G94
  • Jon Molvig 1923 – 1970

    Nude

    c.1960s?
    pencil on paper
    Accession no: 687D2
  • Mortimer Menpes 1855 – 1938

    Nude

    c.1920?
    drypoint on paper
    Accession no: 20133PP86
  • Kathleen Sauerbier 21 January 1903 – 11 March 1991

    Nude

    c.1927
    charcoal on brown paper
    Accession no: 20037D35
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.