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Displaying 9,577-9600 of 20,169 Works

  • Indonesia

    Noble person’s waist-wrap garment (kampuh, saput), with geometric ʻeight-pointed starʼ motif

    1890-1942
    silk and cotton, paper-wrapped threads, formerly gold or silver, natural dyes, supplementary-weft weave, stitchwork
    Accession no: 865A197
    On display, Gallery 21
  • Francisco Goya 30 March 1746 – 16 April 1828

    Nobody knows himself

    1797-98; published 1799
    etching, burnished aquatint on paper
    Accession no: 807G24
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    Nocholas, Count of Zevino

    c.1601-03
    engraving on paper
    Accession no: 097G1299
  • Walter Sickert 1860 – 1942

    Noctes Ambrosianae (Ambrosian nights)

    c.1908
    etching, aquatint on light brown paper
    Accession no: 306G120
  • Clarice Beckett 21 March 1887 – 7 July 1935

    Nocturne

    c.1931
    oil on canvas board
    Accession no: 20003P8
    On display, Gallery 4
  • Brian Blanchflower 1939

    Nocturne 3 (Whale Rock)

    1982
    oil, bitumen, sand, chalk on canvas
    Accession no: 832P2
  • Arthur Streeton 8 May 1867 – 2 September 1943

    Nocturne, Amiens

    1918
    oil on canvas
    Accession no: 0.1241
  • James McNeill Whistler 1834 – 1903

    Nocturne: the river at Battersea

    1878
    lithotint with scraping, printed in grey ink on blue chine collé on paper
    Accession no: 165G15
  • Dorrit Black 23 December 1891 – 1951

    Nocturne, Wynyard Square

    1932
    linocut on thin cream oriental wove paper printed from one block in black
    Accession no: 728G27
  • Paul Mott Cazneau 1849 – 1928

    Noel Burnell

    c.1920s
    carbon photograph
    Accession no: 20188Ph86
  • Dušan Marek 7 March 1926 – 9 March 1993

    Noel: Christmas card

    1987
    woodcut on oriental paper mounted on paper
    Accession no: 946G52
  • Ilma Ugiobari (Ajikum'e) c.1968

    Nog'e (Rainbow)

    2015
    appliqued mud-dyed barkcloth, river reed
    Accession no: 20243A16
  • Dora Chapman 1911 – 1995

    Noino head

    1969
    colour screenprint on paper
    Accession no: 965G60
  • Albrecht Dürer 1471 – 1528

    Noli me tangere (Christ appears to the Magdalen)

    c.1510; published 1511
    woodcut on paper
    Accession no: 084G1116
  • Franz Joseph Manskirch 1768 – 1830

    Nomad Family

    1908
    aquatint, soft ground etching, on paper
    Accession no: 165G460
  • Ralph Balson 13 August 1890 – 27 August 1964

    Non-objective painting

    1958
    synthetic polymer paint on composition board
    Accession no: 729P9
  • Maureen Faye-Chauhan 1969

    Nonahedron pendant

    2011
    stainless steel
    Accession no: 20172A51A
  • Lidia Groblicka 1933 – 2012

    Nonka

    1953-54
    lithograph and ink wash on paper
    Accession no: 905G44
  • George Hamilton 1812 – 1883

    Noon

    c.1851-56
    watercolour, pen & ink on paper
    Accession no: 7912HP61(b)
  • Ivor Francis 1906 – 1993

    (Noose hanging from bent tree)

    1940s-50s
    pencil on paper
    Accession no: 944D22
  • Francisco Goya 30 March 1746 – 16 April 1828

    Nor this time

    1810-15; published 1863
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G91
  • F. A. Joyner 1863 – 1945

    Nora Heysen

    1930
    bromide photograph, linen textured paper
    Accession no: 8113Ph78
  • F. Millward Grey 5 August 1899 – 20 January 1957

    Nora Heysen

    1930
    pencil on paper
    Accession no: 385D1
  • Harold Cazneaux 1878 – 1953

    Nora Heysen

    1939
    gelatin-silver photograph
    Accession no: 7813Ph85
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.