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Displaying 6,841-6864 of 20,175 Works

  • Ann Newmarch 1945 – 2022

    Jake and Bruno, 8 years and and 3 years

    1980
    colour screenprint on paper
    Accession no: 20213G79
  • Ann Newmarch 1945 – 2022

    Jake and Bruno, 9 years and 4 years

    1981
    colour screenprint on paper
    Accession no: 20213G80
  • Ann Newmarch 1945 – 2022

    Jake, Bruno and Jessie, 10, 5 and 5 days

    1982
    colour screenprint on paper
    Accession no: 20213G81
  • Ann Newmarch 1945 – 2022

    Jake, Bruno and Jessie, 11, 6 and 1 year

    1983
    colour screenprint on paper
    Accession no: 20213G82
  • Ann Newmarch 1945 – 2022

    Jake, Bruno and Jessie, 12, 7 and 2 years

    1984
    colour screenprint on paper
    Accession no: 20213G83
  • Ann Newmarch 1945 – 2022

    Jake, Bruno and Jessie, 13, 8 and 3 yrs

    1985
    colour screenprint on paper
    Accession no: 20213G84
  • Ann Newmarch 1945 – 2022

    Jake, Bruno and Jessie (photo sequence I)

    1989
    collage of 21 gelatin-silver photographs
    Accession no: 20243Ph6
  • Ann Newmarch 1945 – 2022

    Jake, Bruno and Jessie (photo sequence II)

    1989
    collage of 21 gelatin-silver photographs
    Accession no: 20243Ph7
  • Ann Newmarch 1945 – 2022

    Jake's maths book

    1989
    gelatin-silver photograph, collage of type C photographs
    Accession no: 20243Ph10
  • Sebastian Arrow 1994

    Jalinyi

    2015
    carved pearl shell, red earth pigments
    Accession no: 20162S11
  • Sebastian Arrow 1994

    Jalinyi

    2015
    carved pearl shell, red earth pigments
    Accession no: 20162S13
  • Omega Workshops, Bloomsbury, London 1913 – 1920 , Roger Fry (designer) 1866 – 1934

    Jam pot [and lid] [blue]

    c.1916-18
    earthenware
    Accession no: 849C79
    On display, Gallery 13
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    James Annibale, Count of Rochen Embs

    c.1601-03
    engraving on paper
    Accession no: 097G1323
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    James Annibale, Count of Rochenaembs

    c.1601-03
    engraving on paper
    Accession no: 097G1315
  • James Tassie (modeller) 1735 – 1799

    James Buchanan ( -1793)

    c.1798
    glass, wood frame
    Accession no: C465
  • Dora Chapman 1911 – 1995

    James Cant

    1950s
    synthetic polymer paint on board
    Accession no: 957P74
  • Dominicus Custos c.1560 – 1612

    James Heilbrunner, Doctor Theol.

    1595
    engraving on paper
    Accession no: 097G1230
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    James Malatesta

    c.1601-03
    engraving on paper
    Accession no: 097G1297
  • Knut Bull 10 September 1811 – 22 December 1889

    James Nicholls

    1880
    oil on canvas
    Accession no: 20065P24
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    James of Embs

    c.1601-03
    engraving on paper
    Accession no: 097G1288
  • Kumantjai K Namatjira 25 December 1958 – 3 November 2018

    James Range

    2009
    watercolour and pencil on board
    Accession no: 20111P16
    On display, Gallery 6
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    James Soranzo of Venice

    c.1601-03
    engraving on paper
    Accession no: 097G1328
  • James Taylor 1846 – 1917

    James Taylor's photographic studio

    c.1879
    albumen-silver photograph (carte de visite)
    Accession no: 20041RJN1541
  • Ricky Maynard 1953

    Jamie

    2015; printed 2017
    gelatin-silver photograph
    Accession no: 20173Ph5
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.