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Displaying 6,769-6792 of 20,175 Works

  • Emile Gallé 1846 – 1904

    Iris vase

    1900
    decorated, engraved and inlaid glass
    Accession no: 20146C21
  • Martha Berkeley 18 August 1813 – 7 July 1899

    Irises

    early 1840s
    watercolour on paper
    Accession no: 936P34
  • Margaret Preston 1875 – 1963

    Irish Child

    c.1914
    watercolour on composition board
    Accession no: 721P3
  • Gladys Reynell 4 September 1881 – 16 November 1956

    Irish cottage

    1915
    monotype on green paper
    Accession no: 947G60
  • Paul Foelsche 30 March 1831 – 31 January 1914

    Iron and timber hut

    c.1875
    glass plate negative (wet plate?)
    Accession no: 20041RJN3990
  • Paul Foelsche 30 March 1831 – 31 January 1914

    Iron and timber structure

    c.1875
    glass plate negative (wet plate?)
    Accession no: 20041RJN3993
  • Joyce Waterhouse 1887 – 1966 , Harley Telford 1876 – 1953 , Keen 19th - 20th century

    [Ironwood tree, Loves Creek]

    1931
    gelatin-silver photograph
    Accession no: 20114Ph13.109
  • Joyce Waterhouse 1887 – 1966 , Harley Telford 1876 – 1953 , Keen 19th - 20th century

    [Ironwood tree, Loves Creek]

    1931
    gelatin-silver photograph
    Accession no: 20114Ph13.108
  • Joyce Waterhouse 1887 – 1966 , Harley Telford 1876 – 1953 , Keen 19th - 20th century

    [Ironwood tree, Loves Creek]

    1931
    gelatin-silver photograph
    Accession no: 20114Ph13.106
  • Thompson & Hunt

    Irrigation well

    c.1900-20
    lantern slide
    Accession no: 20041RJN6507
  • Mervyn Bishop July 1945

    Is there an Aboriginal photography? Self-portrait

    1989
    gelatin-silver photograph
    Accession no: 20096Ph29
  • Tamamura Kozaburo 1856 – 1923

    (Ishidori Gate) Torii at Nikko

    1880-89
    albumen print, hand coloured mounted on card
    Accession no: 20222Ph162
  • Unknown

    Isis central sugar mill

    c.1899
    lantern slide
    Accession no: 20041RJN6547
  • John Glover junior 1789 – 1868

    Island St Paul

    1831
    brush & brown ink wash, pencil on paper
    Accession no: 825D31
  • Hilarie Mais 1952

    Island:Divide

    2004
    synthetic polymer paint, wood
    Accession no: 20202S6(a+b)
  • Fred Williams 1927 – 1982

    Isobel being held

    1964-65
    etching, drypoint, flat biting, engraving and burnishing on paper
    Accession no: 20174G93
  • Morris & Co. (manufacturer) 1861 – 1940 , William Morris (designer) 1834 – 1896

    Ispahan curtain

    1905-17
    woven wool; wool & silk fringe
    Accession no: 903A26
  • Francisco Goya 30 March 1746 – 16 April 1828

    It always happens

    1810-15; published 1863
    etching, drypoint on paper
    Accession no: 6512G63
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is better to be lazy

    1797-98; published 1799
    etching, burnished aquatint, engraving on paper
    Accession no: 807G86
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is nicely stretched

    1797-98; published 1799
    etching, burnished aquatint, engraving on paper
    Accession no: 807G35
  • Georges Rouault 1871 – 1958

    "It is through his wounds that we are healed"

    1922; published 1948
    aquatint, roulette, drypoint over heliogravure on paper
    Accession no: 586G161
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is time

    1797-98; published 1799
    etching, burnished aquatint on paper
    Accession no: 686G14
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is time

    1797-98; published 1799
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G53
  • Franz Kempf 1926 – 2020

    It may not end justly

    2006
    woodcut printed in black and grey inks on paper
    Accession no: 20142G16
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.