Works
AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.
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Sera Waters 1979sail: hand-dyed linen and hemp (imported from France and United Kingdom), white gold-coloured synthetic rope, waxed cotton thread, dyed leather, hand-dyed cotton string; embroidery: synthetic and wool velvet, crewel, re-purposed doily edgings and trims, hand-dyed cotton string, cotton machine thread, cotton stranded embroidery floss, perle cotton, synthetic metallic-coloured thread, cotton crochet threads, Retors a broder, assorted plastic and glass seed beads; fittings: brass hooks and cleats, hemp and polypropylene rope; anchors: gold plated chains in 3 sizes, native copper, copper wire, South Australian rocks and mineralsAccession no: 20223A77A(a-f)
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Sera Waters 1979sail: vintage linen grain sack (French), white cotton rope, cotton thread, cotton crochet threat, cotton string; embroidery: silk and synthetic velvet, hand-dyed cotton bedsheets, wool and synthetic felt, repurposed synthetic negligee fabric, plastic sparkly synthetic cardigan, hand-dyed cotton string, cotton machine thread, cotton stranded embroidery floss, perle cotton, metallic thread, cotton crochet threads, Retors a broder, assorted seed beads, synthetic silver-coloured spangles; fittings: brass hooks and cleats, hemp and polypropylene rope; anchor: South Australia rocks and mineralsAccession no: 20223A78A(a-e)
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Sera Waters 1979sail: vintage linen tablecloth (French or English origin), repurposed satin ribbon border, cotton string, brass eyelets; embroidery: kid leather French gloves, synthetic and silk velvet, hand-dyed cotton bedsheets, wool and synthetic felt, repurposed plastic sparkly cardigan, hand-dyed cotton string, cotton machine thread, cotton stranded embroidery floss, perle cotton, metallic -coloured synthetic thread, cotton crochet threads, Retors a broder, cotton a broder, assorted plastic, glass seed beads; fittings: brass hooks and cleats, hemp, polypropylene rope; anchors: South Australian rocks and minerals, rose gold coloured metallic rope, brass nailsAccession no: 20223A79A(a-f)
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Sera Waters 1979sail: vintage upholsterer's hessian, leather, waxed cotton, brass eyelets, repurposed upholstery trim; embroidery: kid leather (from French gloves), white-gold coloured metallic rope, repurposed wool canvas work, crewel, repurposed synthetic ric rac, cotton doily edge and pockets, plastic sequins, glass and synthetic beads, synthetic stockings, synthetic negligees, cotton bedsheets, nylon tape, dyed cotton, cotton calico; fittings: brass cleats, brass plated poles with brass caps, hep and polypropylene rose coloured synthetic rope, brass nailsAccession no: 20223A80A(a-d)
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Sera Waters 1979sail: hand-dip-dyed linen and hemp (French and English origin), cotton rope, cotton thread, leather lacing; embroidery: synthetic velvet, hand-dyed cotton bedsheets, repurposed synthetic cardigan, hand-dyed cotton string, cotton machine thread, cotton stranded embroidery floss, perle cotton, metallic thread, cotton crochet threads, Retors a broder, assorted plastic and metal seed beads; fittings: brass hooks and cleats, hemp, polypropylene rope; anchors: assorted South Australian rocks and minerals, metallic coloured stringAccession no: 20223A81A(a-f)
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Mamie Venner 1881 – 1974
Stork vase
c.1930shand-painted porcelain blankAccession no: 20147C145A -
Bronwyn Wright 1955
Storm
2003lamda printAccession no: 20042Ph15 -
Sybil Andrews 1898 – 1992
Storm
1935colour linocut on oriental paperAccession no: 408G38 -
Sir Ernest Albert Waterlow 1850 – 1919
Storm blown
1889oil on canvasAccession no: 0.94 -
Hans Heysen 8 October 1877 – 2 July 1968
Storm clouds over windswept landscape
late 1930scharcoal on paperAccession no: 711HH1010 -
R E Minchin 5 March 1831 – 1893
Storm coming on, Ullswater
c.1850brush & grey ink wash on paperAccession no: 912D19 -
Mary Macqueen 1912 – 1994
Storm over Nullarbor
1982charcoal, pastel, pencil on paperAccession no: 846D12 -
Thomas Webb & Sons, Stourbridge, West Midlands 1832 – 1990 , George Woodall (designer) 1850 – 1925 , Lionel Pearce (designer) 1852 – 1926
Storm vase
c.1890cameo glassAccession no: C466On display, Gallery 18 -
Allan C Glover 1900 – 1984
Stormy sunset
1927aquatint printed in green-black ink on paperAccession no: 8511G33 -
Jarinyanu David Downs 1925 – 1995
Story Moo wa
1988earth pigments, synthetic polymer paint on canvas boardAccession no: 8812P84 -
Jarinyanu David Downs 1925 – 1995
Story Moo wa
1988earth pigments, synthetic polymer paint on canvas boardAccession no: 8812P83 -
Unknownsilk embroideryAccession no: AA1
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Royal Copenhagen Porcelain Factory , after Bertel Thorvaldsen (sculptor) 1770 – 1844
St Paul
c.1850-89; designed c.1821porcelainAccession no: C1442 -
School of Justus le Court 1627 – 1678
St. Paul
c.1650-75marbleAccession no: S83 -
Francesco Solimena 1657 – 1747
St Paul
1680soil on canvasAccession no: 20004P21 -
Marco Alvise Pitteri 1702 – 1786 , after Giovanni Battista Piazzetta 1683 – 1754
St. Paul
1742etching, engraving on paperAccession no: 084G2836 -
William Blake 28 November 1757 – 12 August 1827watercolour on paperAccession no: 954P29
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Mortimer Menpes 1855 – 1938
St. Paul's
1908-09etching, drypoint, plate tone, printed in brown ink on paperAccession no: 20133PP66 -
Gwendolyn Morris 1904 – 26 July 1993
St. Pauls from Bankside
c.1929-30gelatin-silver photographsAccession no: 20158Ph70 -
Gwendolyn Morris 1904 – 26 July 1993
St. Pauls from Bankside, vertical view
c.1929-30gelatin-silver photographAccession no: 20158Ph69