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Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.


  • Albert Namatjira 1902 – 1959

    Rutjipma- Mount Sonder

    c.1954
    watercolour on paper
    Accession no: 20183P71
    On display, Gallery 6
  • Kumantjai H. Pareroultja 1952 – 22 October 2024

    Rutjipma (Mt Sonder)

    2017
    watercolour and pencil on paper
    Accession no: 20183P57
  • Dellina Inkamala 1984

    Rutjipma - Mt Sonder

    2017
    watercolour on paper
    Accession no: 20183P33
  • Oskar (Oscar) Namatjira 1922 – 1991

    Rutjipma (Mt Sonder)

    c.1955
    watercolour on wood, sinew and resin
    Accession no: 20207S37
    On display, Gallery 6
  • Cordula Ebatarinja 13 December 1919 – 9 February 1973

    Rutjipma (Mt Sonder)

    c.1960
    watercolour on wood, sinew, resin
    Accession no: 20207S36
    On display, Gallery 6
  • Kathy Inkamala 1968

    Rutjipma - Mt Sonder

    2017
    watercolour on paper
    Accession no: 20183P37
  • Kumantjai M Wheeler 1947 – 2025

    Rutjipma - Mt Sonder, Northern Territory

    2017
    watercolour and pencil on paper
    Accession no: 20183P67
  • Noreen Hudson 1947 – 2022

    Rutjipma (Mt Sonder, NT)

    2017
    watercolour and pencil on paper
    Accession no: 20183P29
  • Ronald Adams 1934 – 2009

    Rutuceae

    1983
    watercolour, pencil on paper
    Accession no: 20177P176
  • Bauer & Simmons

    Ryan Street, Moonta

    c.1900
    gelatin-silver photograph (cabinet card)
    Accession no: 20041RJN2328
  • Sydney Richard William Percy 1821 – 1886

    Rydal Water and Langdael Pikes from Scardale, Westmoreland

    1871
    oil on canvas
    Accession no: 0.324
  • Utagawa Hiroshige 1797 – 1858

    Ryōgoku Ekōin and Moto-Yanagibashi Bridge (Ryōgoku Ekōin Moto-Yanagibash)

    1857
    woodblock print, ink and colour on paper
    Accession no: 427G6
  • Pip Comport 12 April 1922 – 13 October 2023

    Sabbath morn

    1983
    pencil on paper
    Accession no: 20205D13.141
  • Mortimer Menpes 1855 – 1938

    Sabot market

    1881?
    etching, drypoint, plate tone printed in brown ink on paper
    Accession no: 20133PP620
  • Mortimer Menpes 1855 – 1938

    Sabot market

    1881?
    etching, drypoint, plate tone on paper
    Accession no: 20133PP346
  • Mortimer Menpes 1855 – 1938

    Sabot market

    1881?
    etching, drypoint, plate tone printed in brown ink on paper
    Accession no: 20133PP618
  • Mortimer Menpes 1855 – 1938

    Sabot market

    1881?
    etching, drypoint, plate tone printed in brown ink on paper
    Accession no: 20133PP619
  • Mortimer Menpes 1855 – 1938

    Sabot market

    1881?
    etching, drypoint, plate tone, printed in brown ink on paper
    Accession no: 20133PP617
  • Bosley, Mitcham, South Australia (manufacturer) 1932 – 1945

    SA Centenary letter holder [brown]

    1936
    earthenware, slab-built, press moulded decoration, lead-glazed
    Accession no: 20147C37A
  • Bosley, Mitcham, South Australia (manufacturer) 1932 – 1945 , Thomas Bosley 1867 – 1945

    SA Centenary letter holder [green]

    1936
    earthenware, slab-built, press moulded decoration, lead-glazed
    Accession no: 20147C36A
  • Bosley, Mitcham, South Australia (manufacturer) 1932 – 1945

    SA Centenary plate

    1936
    earthenware, press-moulded, tricolour lead glazed
    Accession no: 20147C39A
  • Bosley, Mitcham, South Australia (manufacturer) 1932 – 1945

    SA Centenary plate

    1936
    earthenware, press-moulded, lead glazed
    Accession no: 20147C38A
  • Indonesia, Bali

    Sacred cloth (bebali or keling), with stripes

    1900-70
    cotton, dyes, plain weave
    Accession no: 747A98
  • Indonesia, Bali

    Sacred cloth (gringsing), with composite (prembon) motif consisting of ‘virtue’ (teteledan), ‘cemplong’ and ‘eggplant seeds’ (batun tuung) motifs

    c.1972
    handspun cotton, natural dyes, double-ikat weave
    Accession no: 7310A115
    On display, Gallery 19
  • Indonesia, Bali

    Sacred cloth (gringsing) with double (masemayut) motif consisting of ‘rooster footprints’ (injekan siap) and ‘edge or stone’ (waton) motifs

    c.1930
    handspun cotton, natural dyes, gold leaf, double-ikat weave
    Accession no: 739A85
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