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Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.


  • Peeter van Lisebetten 1610 – 1678 , after Giovanni Bellini 1431-36 – 1516 , David Teniers the younger (intermediary draughtsman) 1610 – 1690

    Nymph reclining

    1656-60
    etching on paper
    Accession no: 084G445
  • Coryn Boel c.1620 – 1668 , after Palma Vecchio 1479 – 1528 , David Teniers the younger (intermediary draughtsman) 1610 – 1690

    Nymphs bathing

    1656-60
    etchving on paper
    Accession no: 097G355
  • Ivor Francis 1906 – 1993

    (Nymphs dancing near a tree at night)

    1930s
    pen & ink, brush & ink on paper
    Accession no: 944D16
  • Wendy Hubert 1954

    Nyun-nhuu-nha

    2024
    synthetic polymer paint on canvas
    Accession no: 20252P2
  • London Pottery 1890 – 1909

    Oakbank Races jug

    c.1900
    earthenware
    Accession no: 928C60A
  • Morris & Co. (manufacturer) 1861 – 1940 , William Morris 1834 – 1896

    Oak furnishing textile

    designed 1881
    hand and machine loomed silk damask
    Accession no: 20196A92
  • J.A. Turner 1850 – 1907

    Oaklands Bridge 1880

    1880
    oil on cardboard
    Accession no: 0.1360
  • Martha Berkeley 18 August 1813 – 7 July 1899

    Oak. Larch tree. Flax

    c.1830-36
    pencil on paper
    Accession no: 20213D3
  • Morris & Co. (manufacturer) 1861 – 1940 , William Morris (designer) 1834 – 1896

    Oak table cover

    c.1890
    woven silk, silk fringe
    Accession no: 927A29
    On display, Gallery 18
  • Stanley Spencer 1891 – 1959

    Oak Tree, Harwood House, Cookham Dean

    1938
    oil on canvas
    Accession no: 0.1134
  • Reko Rennie 1974

    OA_RR

    2016-17
    4K three channel digital video, PAL, stereo sound, 7 min, 47 seconds
    Accession no: 20173MV1(a-e)
  • Georges Rouault 1871 – 1958

    "Obedient unto death, even the death of the Cross" ('Phillippians', 2, 8)

    1926; published 1948
    aquatint, roulette, drypoint over heliogravure on paper
    Accession no: 586G160
  • Jun Tomita 1951

    Obi length, with 'arrow pattern'

    1976
    cotton and indigo dye, kasuri ikat
    Accession no: 7611A45
  • Michael Staniak 1982

    OBJ_914

    2022
    bronze, synthetic polymer paint
    Accession no: 20226S31
  • Eiko Kishi 1948

    Object (nōgata)

    2005
    stoneware, coloured chamotte inlays
    Accession no: 20226C29
  • Anthony Millowick 1949

    Object [Ziggurat series]

    c.1970
    stoneware, slipcast, glazed
    Accession no: 902C6A
  • Oblong box with hinged lid

    Accession no: AA888
  • Robyn McKinnon 1953

    Ob-oe

    1988
    painted & gilded cane, cotton thread, leather, string, wire, brass, rubber, wooden beads.
    Accession no: 903A20A
  • Obol, Crete, Itanos, 380-320 BC

    380-20 BCE
    silver
    Accession no: NC00928
  • Obol, Phistelia, 380-350 BC

    380-50 BCE
    silver
    Accession no: NC00871
  • Obol, Sicily, Syracuse, 485-478 BC

    485-78 BCE
    silver
    Accession no: NC00861
  • Stelarc 1946

    Obsolete body/Suspensions 1976-82

    1982
    off-set lithograph on paper
    Accession no: 20214G130
  • William Wyon (designer obverse and reverse) 1795 – 1851 , London Mint

    Obverse Description: Head of Victoria facing left, plain bands in hair; the artist's initials W:W. incuse on neck truncation; below, 1839; around above, VICTORIA DEI GRATIA Reverse Description: Arms of Isle of Man - the triskeles: three legs joined at the upper part of the thigh, flexed, garnished and spurred; around, QVOCVNQVE IECERIS STABIT (wherever you throw, it will stand)

    1839
    bronze
    Accession no: NC01068
  • Fiona Hall 1953

    Occupied territory

    1995
    glass beads, wire, nails, tooth, vitrine (glass and wood)
    Accession no: 994S4
    On display, Gallery 1
  • Gladys Reynell 4 September 1881 – 16 November 1956

    Ocean motifs for pottery

    1917-22
    ink on card
    Accession no: 20049D19
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