Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.

Long robe (nagagi), with floral motif

c.1880

cotton, indigo with stitch resist dye (ori nui shibori), capping (boshi shibori)

Accession no: 20131A13
Long robe (nagagi), with hemp leaf pattern (asanoha)

c.1888

cotton, indigo with stitch resist dye (shirokage shibori)

Accession no: 20131A11
Long robe (nagagi), with linked-circle pattern (shippo tsunagi)

c.1880

cotton, indigo with stitch resist dye (ori nui shibori), spiderweb (kumo shibori), looped binding (miura shibori)

Accession no: 20131A12
Long scissor

1997

Pyrex glass, titanium

Accession no: 973A15A

On display, Gallery 6
Long shadows 2

1982

colour lithograph on paper

Accession no: 20146G86
Long spearsx 5 (b-f)

2015

woollen felt, thread, stainless steel, wheat

Accession no: 20174S30(b-f)
Long sword (katana) and mount, scabbard with rayskin and plaited silk cover

c.1780

iron, lacquered wood, shakudo, gold, rayskin and plaited silk

Accession no: 863A43
Long Tom Loffin, the pilot

c.1834

watercolour on paper

Accession no: 558P27.7
Long view of river house with fence post in foreground

1880s?

albumen-silver photograph (stereograph)

Accession no: 20041RJN249
Looe, Cornwall

c.1926-28

pencil & wash on paper

Accession no: 8113D25
Look 24, Joan Bound, Thorn, Australian Fashion Week collection

2024

(a) Dress: hand-linked steel chain-mail (b) Choker: cast steel links with over-woven steel chain, leather ties (c) G-string (d) Shoes: Bovine patent leather upper, pigskin lining, chrome plated rivets, rhinestone buckles, NZ Pine platform covered in bovine patent leather (e) headress hand-linked steel chain-mail

Accession no: 20253A7(a-e)
Look 2, Caged Girl, Thorn, Australian Fashion Week collection

2024

(a) Corset: chrome tanned 1.5mm cow outer, chrome tanned 0.5mm sheep inner, vegetable tanned kangaroo lace, two part edge paint (b) Skirt: solid brass hardware, Italian vegetable tanned 3.0mm leather, vegetable tanned kangaroo lace (c) G-String: Italian vegetable tanned 3.0mm leather, Indian round lace (d) Shoes: Bovine leather upper, pigskin lining, chrome-plated single claw stud, NZ pine heel, stained and polished, screws, steel shank, cellulose insole (e) Whip: leather (f) Gloves: latex

Accession no: 20253A6(a-f)
Look how solemn they are!

1797-98; published 1799

etching, aquatint, drypoint on paper

Accession no: 807G81
Looking at Leunig's exhibition

1992

linocut on paper

Accession no: 200111G30
Looking for booby traps near Ligny-Thilloy, 1917

1918

lithograph on paper

Accession no: 1910G23
Looking for enemies: No 6

2004

synthetic polymer paint on canvas

Accession no: 20161P10(a&b)
Looking glass

Accession no: M71
Looking south from Smoker's Valley

1842

watercolour on paper

Accession no: 709HP39
Looking SW from Table Land, August 22nd

1846

watercolour on paper

Accession no: 997P39
Looking towards Spencers Gulf from near Mount Remarkable

1846

pencil on paper

Accession no: 697HP6
Looking towards Tent Hill, Near Whyalla, South Australia

1980; printed and hand-coloured 2013

inkjet pigment print, hand coloured with pencil and pastel

Accession no: 20134X2
Look out, Blue Mountains, N.S.W.

1979

gelatin-silver photograph, hand coloured with watercolour and photographic pencils

Accession no: 7912Ph83
Lookout station of the Milmenura tribe, burnt as being the residence of the murderers of the crew of the "Maria"

1840

watercolour on paper

Accession no: 709HP44
Look rich

1975

colour screenprint on paper

Accession no: 8510G28
Loose ends

2006

synthetic polymer paint on Chinese paper

Accession no: 20063P16