Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.

  • John Reddie Black 1826 – 1880

    Itinerant Japanese Cobblers

    c.1871
    albumen print on newsprint page
    Accession no: 20222V8
  • Kazumasa Ogawa 29 September 1860 – 6 September 1929

    Itinerant pipe seller

    1897
    albumen-silver photograph, hand coloured
    Accession no: 20222Ph136
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is better to be lazy

    1797-98; published 1799
    etching, burnished aquatint, engraving on paper
    Accession no: 807G86
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is nicely stretched

    1797-98; published 1799
    etching, burnished aquatint, engraving on paper
    Accession no: 807G35
  • Georges Rouault 1871 – 1958

    "It is through his wounds that we are healed"

    1922; published 1948
    aquatint, roulette, drypoint over heliogravure on paper
    Accession no: 586G161
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is time

    1797-98; published 1799
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G53
  • Francisco Goya 30 March 1746 – 16 April 1828

    It is time

    1797-98; published 1799
    etching, burnished aquatint on paper
    Accession no: 686G14
  • Franz Kempf 1926 – 2020

    It may not end justly

    2006
    woodcut printed in black and grey inks on paper
    Accession no: 20142G16
  • Mortimer Menpes 1855 – 1938

    I Trei Ponti, Venice

    1891-1903
    watercolour, pencil on paper
    Accession no: 20061P5
  • Francisco Goya 30 March 1746 – 16 April 1828

    It's a hard step!

    1810-15; published 1863
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G69
  • Stephanie Falting 1962

    It's been a long hop

    1982
    earthenware
    Accession no: 831S2
  • Francisco Goya 30 March 1746 – 16 April 1828

    It serves you right

    1810-15; published 1863
    etching, lavis, engraving on paper
    Accession no: 6512G61
  • Robert Hannaford 1944

    Its GRASS, green grass!

    c.1964-67
    brush & ink, decal on paper
    Accession no: 7311D41
  • Lionel Bawden 1974

    It's impossible to tell

    2008
    pencils, epoxy & linseed oil
    Accession no: 20154S16
  • Francisco Goya 30 March 1746 – 16 April 1828

    It's no use crying out

    1810-15; published 1863
    etching, burnished aquatint, engraving, burnishing on paper
    Accession no: 6512G113
  • Paul Woodroffe 1875 – 1954

    It was a lover and his lass

    1890s
    pen & ink, white gouache on cardboard
    Accession no: 1899D36
  • Francisco Goya 30 March 1746 – 16 April 1828

    It will be the same

    1810-15; published 1863
    etching, burnished lavis on paper
    Accession no: 6512G76
  • Georges Rouault 1871 – 1958

    it would be so sweet to love

    1923; published 1948
    aquatint, roulette, drypoint over heliogravure on paper
    Accession no: 586G125
  • Jan Sadeler I 1550 – 1600 , after Maarten de Vos 1532 – 1603

    Ivan

    1594
    engraving on paper
    Accession no: 097G531
  • Minton, Stoke-On-Trent, Staffordshire est. 1793 , John Moyr Smith (designer) 1868 – 1894

    Ivanhoe: The Death of Bois Gvilbert from the Waverley series tile

    c.1902-11; designed 1878
    glazed earthenware
    Accession no: 961C11
  • Ivor Hele 13 June 1912 – 1 December 1993

    Ivor Hele student sketchbook [twenty-five studies of objects]

    1920s
    pencil on paper
    Accession no: 20129D16
  • Japan

    Ivory ball

    1825 - 1900
    ivory
    Accession no: 20048A98
  • Carlier Makigawa 1952

    Ivory brooch

    1982
    ivory, steel, brass, enamel on copper wire
    Accession no: 829A20A

  • Ivory brooch and earrings

    c.1880
    ivory, gold, metal
    Accession no: 721A6
  • Naomi Hobson 1978

    Iwayi

    2019
    hand built Terracotta with white slip underglaze and freehand sgraffito
    Accession no: 20196S15