Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.

What madness!

1810-15; published 1863

etching, lavis, engraving on paper

Accession no: 6512G123
What makes a landscape brooch

1982

ivory, stone, shell, gold, silver

Accession no: 8211A26A
What more can be done?

1810-15; published 1863

etching, lavis, drypoint, engraving, burnishing on paper

Accession no: 6512G88
What one does to another

1797-98; published 1799

etching, burnished aquatint, drypoint, engraving on paper

Accession no: 807G69
What's the use of a bowl?

1810-15; published 1863

etching, burnished aquatint, lavis on paper

Accession no: 6512G114
What they wanted

2007

glass and cord in 15 pieces

Accession no: 20078S38(a-o)
Wheat bag stack

c.1900-20

glass plate negative (dry plate)

Accession no: 20041RJN4286
Wheat bag stack, pipes in foreground

c.1910-30

glass plate negative (dry plate)

Accession no: 20041RJN4224
Wheat stacks on Saddleworth railway yard

1906

gelatin-silver photograph

Accession no: 20041RJN3296.33
Wheat stacks on Saddleworth railway yards

1906

gelatin-silver photograph

Accession no: 20041RJN3296.32
Wheeldale Moor

1977

gelatin-silver photograph, letraset on cardboard

Accession no: 793P5
When day breaks we will be off

1797-98; published 1799

etching, burnished aquatint, engraving on paper

Accession no: 807G89
When teacher's back is turned

1876

oil on canvas

Accession no: 0.26
When the dust settles

1987

oil on canvas

Accession no: 954P25
When the sun goes down, another hill, he (the hill) comes shadow

1984

earth pigments on board

Accession no: 953P17
Where clouds touch earth

1873-91

watercolour

Accession no: 0.92
Where did we go wrong?

c.1960s

fibre-tipped pen, brush & black ink on paper

Accession no: 7311D40
Where is mother going?

1797-98; published 1799

etching, aquatint, drypoint on paper

Accession no: 807G83
Where reeds and rushes grow

c.1899

oil on canvas

Accession no: 0.326
Where the hills roll down to the sea

1937

gelatin-silver photograph

Accession no: 20188Ph75
Where winds frolicked

c.1931

gelatin-silver photograph

Accession no: 318Ph5
Which of them is the more overcome?

1797-98; published 1799

etching, aquatint, drypoint on paper

Accession no: 807G45
Whip

glass

Accession no: C1652
Whip: leather

2024

(a) Corset: chrome tanned 1.5mm cow outer, chrome tanned 0.5mm sheep inner, vegetable tanned kangaroo lace, two part edge paint (b) Skirt: solid brass hardware, Italian vegetable tanned 3.0mm leather, vegetable tanned kangaroo lace (c) G-String: Italian vegetable tanned 3.0mm leather, Indian round lace (d) Shoes: Bovine leather upper, pigskin lining, chrome-plated single claw stud, NZ pine heel, stained and polished, screws, steel shank, cellulose insole (e) Whip: leather (f) Gloves: latex

Accession no: 20253A6(e)
Whirlpool

1995

wood, synthetic polymer paint, wire, cotton

Accession no: 955S23