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Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.


  • Heather B Swann 1961

    Things there is no one to tell

    2024
    ink on paper and wood veneer, multiple sheets
    Accession no: 20243D34(1-31)
  • Myriam Mechita 1974

    Think blue

    2020
    inkjet pigment print on paper
    Accession no: 20207G159
  • Aki Inomata 1983

    Think Evolution #1: Kiku-ishi (Ammonite)

    2016-17
    HD video with sound, 2 minutes
    Accession no: 20192MV2
  • Edward Ruscha 16 December 1937

    Thirtyfour parking lots in Los Angeles

    1974; first edition 1967
    artist’s book: 22 pages, off-set lithographs, bound
    Accession no: 20176G162
  • Lindy Lee 1954

    This heart

    1988
    oil on cotton canvas
    Accession no: 954P26
  • Elizabeth Gertsakis 1954

    This is a very wise and kind lady in the front on the right end

    1987
    two gelatin-silver photographs
    Accession no: 899Ph8(a)
  • Elizabeth Gertsakis 1954

    This is a very wise and kind lady in the front on the right end

    1987
    two gelatin-silver photographs
    Accession no: 899Ph8(b)
  • Elizabeth Gertsakis 1954

    This is a very wise and kind lady in the front on the right end

    1987
    two gelatin-silver photographs
    Accession no: 899Ph8(a&b)
  • Carlo Ferraris 1960

    This is a work that should be viewed while listening to the song ‘What a Wonderful World’

    2020
    inkjet pigment print on paper
    Accession no: 20207G112
  • Francisco Goya 30 March 1746 – 16 April 1828

    This is bad

    1810-15; published 1863
    Etching, burnished aquatint, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G101
  • Myra Ah Chee 1931

    This is how Alice Springs was as I knew it, growing up as a child in the early 40's

    2017
    watercolour on paper
    Accession no: 20183P17
  • Francisco Goya 30 March 1746 – 16 April 1828

    This is how it happened

    1810-15; published 1863
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G102
  • Francisco Goya 30 March 1746 – 16 April 1828

    This is not less so

    1810-15; published 1863
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G122
  • Alyx MacFadyen 1957

    This is not my beautiful wife

    1992
    hand coloured gelatin-silver photograph
    Accession no: 926Ph12
  • Ann Newmarch 1945 – 2022

    This is the house that Peg built (book)

    1980
    colour photocopies enclosed in plastic sleeves, bound with cardboard and metal screws
    Accession no: 20243G14
  • Mike Brown 1938 – 1997 , Ross Crothall 1934

    This is Tom

    c.1962
    collage of paper, red & blue ballpoint pen on composition board
    Accession no: 20004D2
  • Francisco Goya 30 March 1746 – 16 April 1828

    This is what you were born for

    1810-15; published 1863
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G67
  • Francisco Goya 30 March 1746 – 16 April 1828

    This is worse

    1810-15; published 1863
    etching, lavis, drypoint on paper
    Accession no: 6512G92
  • Fatima Kantilla 1971 – 2000

    This mob going hunting

    1990
    lithograph on paper
    Accession no: 944G38
  • Barbara Hanrahan 1939 – 1991

    This necklace of water drops

    1982
    screenprint printed in red & green inks on paper
    Accession no: 972G22
  • Ian Burn 1939 – 1993

    This painting is better than

    1993
    oil on cardboard
    Accession no: 20065P19(a-c)
  • Bea Maddock 1934 – 9 April 2016

    This time

    1967-69
    linocut on paper
    Accession no: 932G13(1-33)
  • John Dallwitz 1941

    Thistle head against the sun at Buckland Park.

    1963
    gelatin silver photograph
    Accession no: 20222Ph284
  • May Voke 1912 – 29 May 1997

    Thistles

    1935
    wood-engraving on paper
    Accession no: 20037G77
  • James Cant 1911 – 1982

    Thistles

    1963
    ink, gouache, charcoal on paper
    Accession no: 975P62
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