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Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.


  • Jacques Callot 1592 – 1635

    The strappado (L'estrapade)

    1633
    etching on paper
    Accession no: 494G24
  • Giuseppe Maria Mitelli 1634 – 1718 , after Annibale Carracci 1560 – 1609

    The street bricklayer

    1660
    etching on paper
    Accession no: 084G2127
  • Lois Carne 1903 – 1995

    The stubble paddock

    c.1933
    drypoint, printed in brown ink on paper
    Accession no: 915G32
  • Florence Martin active 1876 - 1893 – 1893/1893

    The student

    1883
    oil on canvas
    Accession no: 0.49
  • Pip Comport 12 April 1922 – 13 October 2023

    The students

    2001
    pencil on paper
    Accession no: 20205D13.17
  • Nora Heysen 11 January 1911 – 30 December 2003

    The studio

    1931
    woodcut on paper
    Accession no: 8912G43.6
  • Rob Gutteridge 1954

    The studio

    1988
    oil on canvas
    Accession no: 971P6
  • Stanislaus Ostoja-Kotkowski 1922 – 1994

    The studio

    1951
    pen & ink on paper
    Accession no: 953D19
  • Tanba Shuji 1828 – 1908 , Mizoguchi Gekko active c.1870

    The study of grasses (Oshie gusa)

    1872-76
    20 leaves, woodblock print, ink and colour on paper
    Accession no: 20162G4(a-v)
  • Pietro Testa 1612 – 1650

    The suicide of Cato

    1648
    etching, drypoint on paper
    Accession no: 084G2177
  • Utagawa Hiroshige 1797 – 1858

    The Sumiyoshi Shrine Festival at Tsukudajima (Tsukudajima Sumiyoshi no matsuri)

    1857
    woodblock print, ink and colour on paper
    Accession no: 401G13
  • Narelle Autio 1969

    The summer of us

    2009
    18 inkjet prints on paper
    Accession no: 20114Ph8(1-18)
  • Dalziel Brothers (engraver) , after Edward Burne-Jones 28 August 1833 – 17 June 1898

    The summer snow

    c.1863
    wood-engraving on paper
    Accession no: 573G5
  • Utagawa Kuniyoshi 1798 – 1861

    The sumo wrestlers Shiranui Dakuemon (centre left), Tsurugizan Taniemon (centre right) with referee Shikimori Inosuke and seated judge (left), the elder (retired) westler Miyagino (right)

    late 1830s-early1840s
    woodblock print, ink and colour on paper, triptych
    Accession no: 759G76
  • Lloyd Rees 1895 – 1988

    The sun at Sandy Bay

    1983
    lithograph on paper
    Accession no: 20024G52
  • Barbara Hanrahan 1939 – 1991

    The sun is up

    1983
    wood-engraving on paper
    Accession no: 987G70
  • Ceri Richards 1903 – 1971

    The sunken cathedral (La cathedrale engloutie)

    1962
    oil & collage on canvas
    Accession no: 0.1982
  • Charles P Mountford 1890 – 1976

    The sunlit porch

    c.1928
    gelatin-silver photograph
    Accession no: Ph22
  • Seaton McKeon 1988

    The Sun The Moon and Me

    2015
    poly (methyl methacrylate), 6061 aluminium, stainless steel, carbon steel, Bianco Carrara marble, bronze glass mirror
    Accession no: 20166F1(a-e)
  • George Freeman (attributed) 1842 – 1895

    The Supreme Court, Victoria Square, Adelaide

    c.1870-80
    albumen-silver photograph
    Accession no: 791Ph38
  • attributed to Giuseppe Niccolò Vicentino active c.1540-c.50 , after Girolamo Francesco Mazzola 1503 – 1540

    The surprise

    c.1530-40
    chiaroscuro woodcut printed in black, green & brown inks on paper
    Accession no: 084G1983
  • Mortimer Menpes 1855 – 1938

    The surrender of Breda (after Velasquez)

    c.1906
    letterpress half-tone print
    Accession no: 20193V29
  • Utagawa Hiroshige 1797 – 1858

    The Suruga Bank of the Oi River near Shimada (Shimada Ôigawa sungan)

    c.1833-34
    woodblock print, ink and colour on paper
    Accession no: 20033G33
  • Stephen Bird 1964

    The surveyor

    2015
    glazed earthenware
    Accession no: 20161C1
  • Barbara Hanrahan 1939 – 1991

    The sweetening of the year

    1983
    wood-engraving on paper
    Accession no: 987G72
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