Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.

Utagawa Hiroshige 1797 – 1858

The Sumiyoshi Shrine Festival at Tsukudajima (Tsukudajima Sumiyoshi no matsuri)

1857

woodblock print, ink and colour on paper

Accession no: 401G13
Narelle Autio 1969

The summer of us

2009

18 inkjet prints on paper

Accession no: 20114Ph8(1-18)
Dalziel Brothers (engraver) , after Edward Burne-Jones 28 August 1833 – 17 June 1898

The summer snow

c.1863

wood-engraving on paper

Accession no: 573G5
Utagawa Kuniyoshi 1798 – 1861

The sumo wrestlers Shiranui Dakuemon (centre left), Tsurugizan Taniemon (centre right) with referee Shikimori Inosuke and seated judge (left), the elder (retired) westler Miyagino (right)

late 1830s-early1840s

woodblock print, ink and colour on paper, triptych

Accession no: 759G76
Lloyd Rees 1895 – 1988

The sun at Sandy Bay

1983

lithograph on paper

Accession no: 20024G52
Barbara Hanrahan 1939 – 1991

The sun is up

1983

wood-engraving on paper

Accession no: 987G70
Ceri Richards 1903 – 1971

The sunken cathedral (La cathedrale engloutie)

1962

oil & collage on canvas

Accession no: 0.1982
Charles P Mountford 1890 – 1976

The sunlit porch

c.1928

gelatin-silver photograph

Accession no: Ph22
Seaton McKeon 1988

The Sun The Moon and Me

2015

poly (methyl methacrylate), 6061 aluminium, stainless steel, carbon steel, Bianco Carrara marble, bronze glass mirror

Accession no: 20166F1(a-e)
George Freeman (attributed) 1842 – 1895

The Supreme Court, Victoria Square, Adelaide

c.1870-80

albumen-silver photograph

Accession no: 791Ph38
attributed to Giuseppe Niccolò Vicentino active c.1540-c.50 , after Girolamo Francesco Mazzola 1503 – 1540

The surprise

c.1530-40

chiaroscuro woodcut printed in black, green & brown inks on paper

Accession no: 084G1983
Mortimer Menpes 1855 – 1938

The surrender of Breda (after Velasquez)

c.1906

letterpress half-tone print

Accession no: 20193V29
Utagawa Hiroshige 1797 – 1858

The Suruga Bank of the Oi River near Shimada (Shimada Ôigawa sungan)

c.1833-34

woodblock print, ink and colour on paper

Accession no: 20033G33
Stephen Bird 1964

The surveyor

2015

glazed earthenware

Accession no: 20161C1
Barbara Hanrahan 1939 – 1991

The sweetening of the year

1983

wood-engraving on paper

Accession no: 987G72
Chris Ofili 1968

The swing

2020-23

oil, charcoal on linen

Accession no: 20235P24

On display, Gallery 16
C. Cockerham 20th century

The S Y Adele

1907

oil on canvas

Accession no: 782HP1
Unknown

The Sybil Triburtina prophesying to Augustus Caesar the coming of Christ

late 16th; or early 17th century

marble

Accession no: S93
Richard Kelly Tipping 1949

The Sydney Morning Volume II

1991

12 prints, letterpress text, printed in colour inks unbound print folio with hard slipcase and cover, comprising 13 pages with 12 letterpress concrete poems and frontispiece

Accession no: 20214G140(1-13)
Mervyn Smith 1904 – 1994

The Sydney Opera House

1965

watercolour on paper

Accession no: 0.2085
The Syllable Ma for Masakado: Actors Iwai Kumesaburo III as Takiyasha-hime and Nakamura Fukusuke (?) as Ôtaku Tarô

1856

woodblock print; ink and colour on paper

Accession no: 20233G41
Utagawa Kunisada 1786 – 1865

The syllable mi: Mimura Jirōemon Fujiwara no Kanetsune

1864

ink, colour on paper

Accession no: 20226G58
Utagawa Kunisada 1786 – 1865

The syllable re: Nakamura Kansuke Fujiwara no Masatoki

1864

ink, colour on paper

Accession no: 20226G59
Pietro Testa 1612 – 1650

The symposium

1648

drypoint on paper

Accession no: 084G2173
Lu Shengzhong 1952

The tablet of soul

1994

collage of type C photographs on paper printed with letterhead

Accession no: 945Ph23