Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.

Aurelio Colombo c.1785 – 1836 , after Marco Dente active 1515 – 1527 , after Marcantonio Raimondi c.1407-82 – 1527-34 et al.

The Massacre of the Innocents

early 18th century

engraving on paper

Accession no: 084G1717
Ludwig Sommerau 1756 – 1786 , after Raphael (Raphaello Sanzi or Sanki) 1483 – 1520

The massacre of the innocents

c.1780

engraving, part etching on paper

Accession no: 084G47
Ludwig Sommerau 1756 – 1786 , after Raphael (Raphaello Sanzi or Sanki) 1483 – 1520

The massacre of the innocents

c.1780

engraving, part etching on paper

Accession no: 084G48
Nicolas Beatrizet c.1520 – c.1570 , after Marco da Ravenna (?) , after Baccio Bandinelli 1488 – 1560

The Massacre of the Innocents

engraving on paper

Accession no: 084G1742
Ludwig Sommerau 1756 – 1786 , after Raphael (Raphaello Sanzi or Sanki) 1483 – 1520

The massacre of the innocents

c.1780

engraving, part etching on paper

Accession no: 084G46
Pamela Harris 1946 – 1992

The media not only exploits women it is largely responsible for her continuing degradition

c. 1981

poster: screenprint printed in purple ink on paper

Accession no: 20253G13
Francisco Giralte the elder c.1510 – c.1576

The meeting at the Golden Gate

c.1550s

pine

Accession no: 20118S12
Cornelius Ebatarinja 1982 , Raymond Ebatarinja 1963 , Sheree Inkamala 1995 et al.

The Meeting Place

2019

single channel HD video and audio, 4:07 min

Accession no: 20202MV4
Dennis Oppenheim 1938 – 2011

Theme for a major hit

1974-75

cast resin, fabric, marionette, clothed, motor, record to which puppet moves, spotlight, cassette, documentation, camping case.

Accession no: 769S6
Francisco Goya 30 March 1746 – 16 April 1828

The men in sacks

1816-23; published 1864

etching, burnished aquatint on paper

Accession no: 608G23
Morris & Co. (manufacturer) 1861 – 1940

The Merton Abbey Arras Tapestries [catalogue]

1909

printed paper

Accession no: 20008V2
Morris & Co. (manufacturer) 1861 – 1940

The Merton Abbey Arras Tapestries illustrated

1909

paper

Accession no: 20165A24
James Gleeson 21 November 1915 – 20 October 2008

The message arrives

1995

oil on canvas

Accession no: 975P45
Ella-Maude Wilson 23 April 1998

The message in a bottle

2017

linocut printed in coloured inks on paper

Accession no: 20188G24
William Blake 28 November 1757 – 12 August 1827

The Messengers tell Job of his Misfortune

1823-26; published 1874

engraving on chine collé on paper

Accession no: 545G18
India, Gujarat

The Middle World known as Madhyaloka

1800-25

opaque watercolour on cotton

Accession no: 20185P94
W.T. Annis (engraver) active 1798-1812 , J. C. Easling (engraver) active 1788-after 1811 , J.M.W. Turner (etcher) 1775 – 1851

The Mildmay sea-piece

1812

etching, mezzotint on paper

Accession no: 526G71
Mortimer Menpes 1855 – 1938

The milkmaid (after Greuze)

c.1906

letterpress half-tone print, mounted on paper

Accession no: 20193V10
Sir Ernest Albert Waterlow 1850 – 1919

The Mill

1890-1911

oil on canvas

Accession no: 0.791
Lidia Groblicka 1933 – 2012

The mill

1953-54

etching on paper

Accession no: 905G42
Unknown

"The Milliner here again?"

c.1890-1920

partial lantern slide

Accession no: 20041RJN6558
James Cant 1911 – 1982

The mind's black goat

1959

oil on canvas

Accession no: 957P65
Mortimer Menpes 1855 – 1938

The minstrel's gallery, Ajmere

1914-15

drypoint on paper

Accession no: 20133PP218
Douglas Roberts 1919 – 19 November 1976

The Miracle of Chance

c.1940

pen, brush, ink & glaze on paper

Accession no: 819D22
Ludwig Sommerau 1756 – 1786 , after Raphael (Raphaello Sanzi or Sanki) 1483 – 1520

The miraculous drought of fishes

c.1780

engraving, part etching on paper

Accession no: 084G58