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Mayfield & Sons, Adelaide, South Australia 1851 – 1911

Breakfront bookcase [Bank of Adelaide]

1866

Huon pine, Baltic pine, glass, replacement glass knob

Accession no: 201210F10A(b)
E. C. Frome 1802 – 1890

Breaking up camp at Mount Barker, March 1842

1842

pencil, pen & brown ink, wash on paper

Accession no: 709HP108
Indonesia, Java

Breast cloth (kemben), with 'forest' (alas-alasan) motif

1775-1850

handspun and handwoven cotton, natural dyes, tulis hand batik

Accession no: 20083A72
Alan Preston 1941

Breastplate

1996

black-lipped oyster, magimagi sinnet cord (coconut-husk fibre), vau binding (beach hibiscus bark-fibre)

Accession no: 20172A146
Svenja John 1963

Breath

2001

Macrolon® polycarbonate, silver, stainless steel

Accession no: 20172A116
Zenji Miyashita 1939 – 2012

Breeze of a shady nook (Ryokuin no kaze)

2000

coloured clay banded stoneware, overglaze

Accession no: 20223C19
Morris & Co. (manufacturer) 1861 – 1940 , William Morris (designer) 1834 – 1896

Brer rabbit

designed 1882

discharge print on cotton

Accession no: 20072A18(2)
Morris & Co. (manufacturer) 1861 – 1940 , William Morris (designer) 1834 – 1896

Brer rabbit

designed 1882

discharge print on cotton

Accession no: 20072A18(1)
Mortimer Menpes 1855 – 1938

Breton children

c.1881

etching on paper

Accession no: 20133PP31
Mortimer Menpes 1855 – 1938

Breton interior, Pont Aven

1915-16

drypoint, printed in coloured inks on paper

Accession no: 20133PP370
Mortimer Menpes 1855 – 1938

Breton interior, Pont Aven

1915-16

drypoint, printed in coloured inks on paper

Accession no: 20133PP698
Mortimer Menpes 1855 – 1938

Breton interior, Pont Aven

1915-16

drypoint, printed in coloured inks on paper

Accession no: 20133PP700
Mortimer Menpes 1855 – 1938

Breton interior, Pont Aven

1915-16

drypoint, printed in coloured inks on paper

Accession no: 20133PP699
Mortimer Menpes 1855 – 1938

Breton interior, Pont Aven

1915-16

drypoint, printed in coloured inks on paper

Accession no: 954G15
Mortimer Menpes 1855 – 1938

Breton man

1882?

etching, drypoint, aquatint, plate tone on paper

Accession no: 20133PP30
Mortimer Menpes 1855 – 1938

Breton peasant

1880

drypoint, plate tone on paper

Accession no: 20133PP16
Mortimer Menpes 1855 – 1938

Breton peasant, night

1916-17

etching, drypoint on chine collé on paper

Accession no: 20133PP376
Marie Tuck 1866 – 1947

Breton woman

1904-14

charcoal on graph paper

Accession no: 20065D13
Mortimer Menpes 1855 – 1938

Breton woman with a stick

1882

drypoint, plate tone on paper

Accession no: 20133PP37
Morris & Co. (manufacturer) 1861 – 1940 , attributed to George Jack (designer) 1855 – 1932

Bric-a-brac cabinet

1885

walnut, glass

Accession no: 20083F5

On display, Gallery 3
Lidia Groblicka 1933 – 2012

Bricklayers

1954-56

woodcut on paper

Accession no: 905G53
Edmund Diederich 5 February 1854 – 24 April 1923

Bridal group

c.1890-1923

glass plate negative (dry plate)

Accession no: 20041RJN3485
Unknown

Bridal group, nasturtium plant in foreground

c.1910

glass plate negative (dry plate)

Accession no: 20041RJN4847
Margaret Dodd 1941 , Clay Glen 16 February 1961

Bridal Holden

2017

inkjet pigment print on paper

Accession no: 20197Ph49

Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.