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Displaying 1,225-1248 of 20,175 Works

  • Heather B Swann 1961

    Banksia Men

    2015
    wood, metal, silk, glass, 9 parts, Music score: Thomas Green (composition and production); Kevin Brophy (poetry); Jack Swann (voice); James Nightingale and Martin Kaye (saxophone)
    Accession no: 20162S5(1-9)
  • John William Lewin 1770 – 1819

    Banksia serrata

    c.1817
    watercolour on paper
    Accession no: 885P30(a)
  • Unknown

    Bannear's shop, Burra Road

    c.1901
    gelatin-silver photograph
    Accession no: 20041RJN3296.24
  • Naomi Hobson 1978

    Banned “I’m banned from that store for a week... I don’t care! I’ll just keep riding past to the next shop.” Amos Jnr.

    2019
    inkjet pigment print on paper
    Accession no: 20196Ph38
  • Mortimer Menpes 1855 – 1938

    Banquet of the Officers of the Archers of St Adrian (after Frans Hals)

    1888-89
    drypoint on paper
    Accession no: 20144G34
  • attributed to Paul Foelsche 30 March 1831 – 31 January 1914

    Banyan tree in government garden

    c.1885
    lantern slide
    Accession no: 20041RJN6593
  • Paul Foelsche 30 March 1831 – 31 January 1914

    Banyan tree in government garden

    c.1907
    glass plate negative (dry plate)
    Accession no: 20041RJN3883
  • Paul Foelsche 30 March 1831 – 31 January 1914

    Banyan trees

    c.1870-1914
    glass plate negative (wet plate)
    Accession no: 20041RJN4057
  • Paul Foelsche 30 March 1831 – 31 January 1914

    Banyan trees

    c.1880-1914
    glass plate negative (wet plate)
    Accession no: 20041RJN4111
  • Sydney Ball 29 October 1933 – 5 March 2017

    Banyon Wall

    1967-68
    synthetic polymer paint on canvas
    Accession no: 7010P31(b)
  • Sydney Ball 29 October 1933 – 5 March 2017

    Banyon Wall

    1967-68
    synthetic polymer paint on canvas
    Accession no: 7010P31(a-d)
  • Sydney Ball 29 October 1933 – 5 March 2017

    Banyon Wall

    1967-68
    synthetic polymer paint on canvas
    Accession no: 7010P31(d)
  • Sydney Ball 29 October 1933 – 5 March 2017

    Banyon Wall

    1967-68
    synthetic polymer paint on canvas
    Accession no: 7010P31(c)
  • Sydney Ball 29 October 1933 – 5 March 2017

    Banyon Wall

    1967-68
    synthetic polymer paint on canvas
    Accession no: 7010P31(a)
  • Will Dyson 1880 – 1938

    Bapaume Church May 1917

    1918
    lithograph on paper
    Accession no: 1910G32
  • Robert Dowling 1827 – 1886

    Baptism of Christ

    1863
    oil on canvas
    Accession no: 20191P1
  • attributed to E G Tims 1843/44 – after 1882

    Baptist Church, Tynte Street

    c.1871-83
    albumen-silver photograph
    Accession no: 20035Ph13.19
  • David Moore 1927 – 23 January 2003

    Bar billiards, Western Australia

    1963
    gelatin-silver photograph
    Accession no: 805Ph32
  • Djambawa Marawili 1953

    Baralatja

    2005
    etching on paper
    Accession no: 20057G85
  • N Marawili c.1938 – 2023

    Baratjala

    2019
    earth pigments, recycled print toner pigment on stringybark (Eucalyptus tetrodonta)
    Accession no: 20197P83
  • N Marawili c.1938 – 2023

    Baratjala

    2019
    earth pigments, recycled print toner pigment on stringybark (Eucalyptus tetrodonta)
    Accession no: 20197P81
  • N Marawili c.1938 – 2023

    Baratjala

    2019
    earth pigments, recycled print toner pigment on stringybark (Eucalyptus tetrodonta)
    Accession no: 20197P82
  • Scott Hicks 1953

    Barbara Hanrahan

    1983; printed 2021
    pigment print
    Accession no: 20222Ph280
  • Unknown 20th century

    Barbara Robertson in her studio

    early 1950s
    gelatin-silver photograph
    Accession no: 20065Ph79
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.