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Displaying 937-960 of 20,175 Works

  • Hoda Afshar 1983

    Ari Sirwan – Manus Island

    2018
    inkjet archival print
    Accession no: 20223Ph290
  • Kenneth Noland 1924 – 2010

    Aries Solo

    1972
    synthetic polymer paint on canvas
    Accession no: 729P10
  • Sydney Ball 29 October 1933 – 5 March 2017

    Arion

    1978
    colour screenprint on paper
    Accession no: 791G2
  • Georges Rouault 1871 – 1958

    "Arise, you dead"

    1927; published 1948
    aquatint, roulette, drypoint over heliogravure on paper
    Accession no: 586G157
  • Henri de Toulouse-Lautrec 1864 – 1901

    Aristide Bruant

    1893
    lithograph on paper
    Accession no: 562G1
  • Master MZ (Matthäus Zaisinger?) active c.1500 - 1503

    Aristotle and Phyllis

    1500-03
    engraving on paper
    Accession no: 967G82
  • Alfred Wilkinson 1869 – 1940

    Arkaba Creek

    c.1927
    bromoil photograph
    Accession no: Ph19
  • Joyce Waterhouse 1887 – 1966

    Arkaroo Rock, Wilpena Pound Range

    c.1920
    gelatin-silver photograph
    Accession no: 20114Ph12.23
  • Angelina Ngal Pwerle 1946

    Arlparra - Mother's Country

    2006
    synthetic polymer paint on linen
    Accession no: 20073P8
  • Jan Sadeler I 1550 – 1600 , after Jan van der Straet 1523 – 3 November 1605

    Arma

    1597
    engraving on paper
    Accession no: 084G682
  • Tiwi Design est. 1969 , Bede Tungutalum (designer) 1952 , Giovanni Tipungwuti (designer) 1953 – 1993

    Armbands [length of fabric]

    designed early 1980s; printed 2003
    screenprint on cotton
    Accession no: 20065A71A
  • Chinese cabinet-maker, Victoria

    Armchair

    c.1870
    Australian red cedar (Toona ciliata), Australian blackwood (Acacia melanoxylon), bone
    Accession no: 898F11A
    On display, Gallery 3
  • Morris & Co. (manufacturer) 1861 – 1940 , John Henry Dearle (designer of fabric) 1859 – 1932

    Armchair with 'Persian brocatel' upholstery

    c.1890
    woven silk upholstery on padded frame, wool & silk fringe, cotton & silk braid, American walnut (Juglans sp.) legs
    Accession no: 918F7(a)
  • Barbara Hanrahan 1939 – 1991

    Armistice Day

    1979
    gouache, pen & ink on paper
    Accession no: 801D3
  • attributed to James Ricalton

    Army cooks boiled rice, Port Arthur

    1904-05
    Print on stereo viewer card
    Accession no: 20222Ph266
  • William Westall 1781 – 1850

    Arnhem Land

    1803
    pencil on paper
    Accession no: 993D3
  • Silk And Textile Printers, Sydney And Hobart 1939 – 1969 , Roy Dalgarno (designer) 2 December 1910 – 1 February 2001

    Arnhem land [sample scarf]

    1946
    screenprint on wool (Lanella)
    Accession no: AA533
  • Gloria Tamerre Petyarre 1938 – 2021

    Arnkerrthe

    1997
    colour screenprint on paper
    Accession no: 20154G103
  • Joyce Waterhouse 1887 – 1966

    Aroona Valley

    c.1920
    gelatin-silver photograph
    Accession no: 20114Ph12.64
  • Horace Trenerry 1899 – 1958

    Aroona Valley, Flinders Ranges

    1930
    oil on paperboard
    Accession no: 766P24
  • Hans Heysen 8 October 1877 – 2 July 1968

    Aroona Valley, Flinders Ranges

    1933
    charcoal, chalk on paper
    Accession no: 20166D9
  • H. R. Perry c.1846 – 1936

    Aroona Waters, Windy Creek, 25 miles N.W. of Beltana, camels at foot

    1875-76
    albumen-silver photograph
    Accession no: 20063Ph77.6
  • Esther Baylis 1898 – 1990

    Arosa, Switzerland

    1922-23
    gelatin-silver photograph
    Accession no: 20093Ph18
  • Gloria Pannka 1949 – 22 August 2020

    Around Jay Creek

    2017
    watercolour on paper
    Accession no: 20183P51
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.