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Displaying 8,089-8112 of 20,249 Works

  • Johann Simon Negges 1726 – 1792 , after ? Weckerle

    M. Georg Ludwig Weber

    mid-late 18th century
    mezzotint on paper
    Accession no: 084G1386
  • Philipp Kilian 1628 – 1693 , after F F Franck?

    M. Georgius Lomer

    c.late 17th century
    line engraving and stipple engraving on paper
    Accession no: 097G1497
  • Louise Bourgeois 25 December 1911 – 31 May 2010

    M is for Mother

    2003
    drypoint printed in red ink on paper
    Accession no: 20114G14.4
  • Gustav Andreas Wolfgang 1692 – 1772 , after Gottfried Eichler the elder 1677 – 1759

    M Johann Georg Neuhofer

    1752
    engraving, stipple engraving on paper
    Accession no: 084G1549
  • Georg Lichtenstecher 1700 – 1780 , after T. E. Thle

    M. Nicolaus Ernestus Zobelius

    1763
    engraving on paper
    Accession no: 084G1367
  • Unknown

    M. Partridge and Co. general store

    c.1900
    albumen-silver photograph
    Accession no: 20041RJN3296.2
  • May Voke 1912 – 29 May 1997

    Macaws

    1939
    colour linocut on paper
    Accession no: 834G51
  • Clifford Inkamala 26 November 1927 – 25 May 1982

    MacDonnell Range

    c.1959
    watercolour, pencil on paper
    Accession no: 20256P41
  • Enos Namatjira 1920 – 1966

    (MacDonnell Ranges)

    1940s
    watercolour on paper
    Accession no: 874P10
  • Albert Namatjira 1902 – 1959

    (MacDonnell Ranges)

    1950s
    watercolour on paper
    Accession no: 20054P24
    On display, Gallery 6
  • Sidney Nolan 1917 – 1992

    MacDonnell Ranges 1949

    1949
    oil on composition board
    Accession no: 0.1481
  • Kumantjai K Namatjira 25 December 1958 – 3 November 2018

    MacDonnell Ranges near Ormiston Gorge

    2010
    watercolour, pencil on board
    Accession no: 20111P17
  • Jan Sadeler I 1550 – 1600 , Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Macharius

    c.1585
    engraving on paper
    Accession no: 097G568
  • Jan Sadeler I 1550 – 1600 , Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Macharius Alesandrinus

    c.1585
    engraving on paper
    Accession no: 097G569
  • Trevor Nickolls 8 June 1949 – 29 September 2012

    Machine Time Madonna

    1981
    synthetic polymer and metallic paint on canvas
    Accession no: 889P44
  • Mick Pfund

    Machinery in shed

    c.1910-30
    glass plate negative (dry plate)
    Accession no: 20041RJN4396
  • Mick Pfund

    Machinery in shed interior

    c.1910-30
    glass plate negative (dry plate)
    Accession no: 20041RJN4221
  • Unknown

    Machinery laid in yard, corrugated fence at right

    1898-1936
    glass plate negative (dry plate)
    Accession no: 20041RJN5538
  • Unknown

    Machinery laid in yard, corrugated fence at right

    1898-1936
    glass plate negative (dry plate)
    Accession no: 20041RJN5540
  • Unknown

    Machinery laid in yard, corrugated fence at right

    1898-1936
    glass plate negative (dry plate)
    Accession no: 20041RJN5539
  • Sidney Albert Boriston Oats 1874 – 1936

    Machinery laid in yard, corrugated fence at right

    1898-1936
    glass plate negative (dry plate)
    Accession no: 20041RJN5448
  • Helen Frankenthaler 1928 – 2011 , Yasuyuki Shibata (woodblock carver and printer)

    Madame Butterfly

    2000
    coloured woodcut from 46 woodblocks on three sheets of paper
    Accession no: 20172G1
  • Antoine Vestier 1740 – 1824

    Madame de Pompadour

    18th century
    gouache on ivory
    Accession no: 0.594
  • attributed to Ernst Carl Gottlieb Thelott 1760 – 1834/9 , after Henr. Mart. Heinsius

    Madame Dobler als Gabriele de Vergy

    late 18th-early 19th century
    engraving on paper
    Accession no: 097G1556
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.