Collection Search
AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.
Searching for works, with images.
ResetDisplaying 7,945-7968 of 20,175 Works
-
Toshikata Mizuno 1866 – 1908colour woodblock print on paperAccession no: 20196G78
-
Johnny Bulunbulun 1946 – 2010colour screenprint on paperAccession no: 8711G9
-
China
Long-necked vase, with dragon decoration
1700-1800porcelain, white glazeAccession no: 20131C101 -
Walter J Anderson 1868 – 1956
"Long Reach", River Katherine
c.1890-95gelatin-silver photographAccession no: 20177Ph250 -
Japan, Asamicotton, indigo with stitch resist dye (ori nui shibori), capping (boshi shibori)Accession no: 20131A13
-
Japan, Asamicotton, indigo with stitch resist dye (shirokage shibori)Accession no: 20131A11
-
Japan, Akitacotton, indigo with stitch resist dye (ori nui shibori), spiderweb (kumo shibori), looped binding (miura shibori)Accession no: 20131A12
-
Geoffrey Brown 1926 – 16 October 2014
Long shadows 2
1982colour lithograph on paperAccession no: 20146G86 -
iron, lacquered wood, shakudo, gold, rayskin and plaited silkAccession no: 863A43
-
attributed to H H Tilbrook 1848 – 1937albumen-silver photograph (stereograph)Accession no: 20041RJN249
-
James Oatley 1770 – 1839
Longcase clock
1820Australian cedar, casuarinaAccession no: 20192F1AOn display, Gallery 2 -
Lindy Lee 1954inkjet print, Chinese ink, pencil, on black paper with puncture holesAccession no: 20193G20
-
John Goodchild 1898 – 1980
Looe, Cornwall
c.1926-28pencil & wash on paperAccession no: 8113D25 -
Nicol & Ford (fashion house) operating 2014- , Lilian Nicol-Ford (designer) 1992 , Katie-Louise Nicol-Ford (designer) 1988 et al.(a) Corset: chrome tanned 1.5mm cow outer, chrome tanned 0.5mm sheep inner, vegetable tanned kangaroo lace, two part edge paint (b) Skirt: solid brass hardware, Italian vegetable tanned 3.0mm leather, vegetable tanned kangaroo lace (c) G-String: Italian vegetable tanned 3.0mm leather, Indian round lace (d) Shoes: Bovine leather upper, pigskin lining, chrome-plated single claw stud, NZ pine heel, stained and polished, screws, steel shank, cellulose insole (e) Whip: leather (f) Gloves: latexAccession no: 20253A6(a-f)
-
Nicol & Ford (fashion house) operating 2014- , Lilian Nicol-Ford (designer) 1992 , Katie-Louise Nicol-Ford (designer) 1988 et al.(a) Dress: hand-linked steel chain-mail (b) Choker: cast steel links with over-woven steel chain, leather ties (c) G-string (d) Shoes: Bovine patent leather upper, pigskin lining, chrome plated rivets, rhinestone buckles, NZ Pine platform covered in bovine patent leather (e) headress hand-linked steel chain-mailAccession no: 20253A7(a-e)
-
Francisco Goya 30 March 1746 – 16 April 1828
Look how solemn they are!
1797-98; published 1799etching, aquatint, drypoint on paperAccession no: 807G81 -
Ann Newmarch 1945 – 2022
Look rich
1975colour screenprint on paperAccession no: 8510G28 -
Pip Comport 12 April 1922 – 13 October 2023linocut on paperAccession no: 200111G30
-
Will Dyson 1880 – 1938lithograph on paperAccession no: 1910G23
-
Geoff Wilson 1927 – 1 December 2024pen & blue & brown inks, brush & blue & brown inks, watercolour on paperAccession no: 20193D20.31
-
E. C. Frome 1802 – 1890watercolour on paperAccession no: 709HP39
-
S. T. Gill 21 May 1818 – 27 October 1880watercolour on paperAccession no: 997P39
-
S. T. Gill 21 May 1818 – 27 October 1880pencil on paperAccession no: 697HP6
-
Kate Breakey 1957
Looking towards Tent Hill, Near Whyalla, South Australia
1980; printed and hand-coloured 2013inkjet pigment print, hand coloured with pencil and pastelAccession no: 20134X2
Notes
AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.
Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.
AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.