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Displaying 6,169-6192 of 20,175 Works

  • India - Thailand

    Heirloom furnishing cloth (pha kiao), for the Thai market

    1800-1900
    cotton, mordant dye painted & block printed, batik resist
    Accession no: 895A10
  • Jan Sadeler I 1550 – 1600 , Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Helanus

    c.1585
    engraving on paper
    Accession no: 097G556
  • Joyce Waterhouse 1887 – 1966

    Helen Waterhouse on horseback

    1910s-30s
    gelatin-silver photograph
    Accession no: 20121Ph24
  • Edward John Poynter 20 March 1836 – 26 July 1919

    Helena and Hermia

    1901
    oil on canvas
    Accession no: 0.314
    On display, Gallery 15
  • Voitre Marek 1919 – 1999

    Helena Jakubová

    1948
    pen & blue ink, pencil on paper
    Accession no: 20209D25
  • Jan Sadeler I 1550 – 1600 , Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Helias

    c.1585
    engraving on paper
    Accession no: 097G560
  • H. H. Tilbrook 1848 – 1937

    Hell's gates

    1880s?
    albumen-silver photograph (stereograph)
    Accession no: 20041RJN183
  • Jenny Peterson 1957

    Helmet

    2002
    colour etching, drypoint, aquatint on paper
    Accession no: 20031G2
  • David Potts 1926 – 2012

    Henley Regatta

    1954
    gelatin-silver photograph
    Accession no: 8911Ph26
  • Jan Sadeler I 1550 – 1600 , after Maarten de Vos 1532 – 1603

    Henricus

    1598
    engraving on paper
    Accession no: 097G532
  • Henry Matthew Brock 1875 – 1960

    Henry drove so well

    1898
    pen & ink, watercolour on paper
    Accession no: 1899D5
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    Henry, Duke of Guise

    c.1601-03
    line engraving paper
    Accession no: 097G1330
  • attributed to Dominicus Custos c.1560 – 1612

    Henry Duke of Guise

    late 16th-early 17th century
    engraving on paper
    Accession no: 097G1244
  • attributed to Dominicus Custos c.1560 – 1612

    Henry, Duke of Montpensier

    late 16th-early 17th century
    engraving on paper
    Accession no: 097G1268
  • Andy Warhol 1928 – 1987

    Henry Gillespie

    1985
    synthetic polymer paint and screenprint on canvas
    Accession no: 964P17
  • Mortimer Menpes 1855 – 1938

    Henry Irving

    c.1899
    drypoint on chine colle on paper
    Accession no: 20014G8
  • Henry Jones 1826 – 1911

    Henry Jones' photographic studio

    c.1879
    albumen-silver photograph (carte de visite)
    Accession no: 20041RJN1032
  • Andy Warhol 1928 – 1987

    Henry Kissinger and Elizabeth Taylor Warner, Washington, DC

    c.1976; published 1980
    gelatin-silver photograph
    Accession no: 20202Ph3
  • Louis Kahan 1905 – 2002

    Henry Krips

    1951
    pen & ink on music paper
    Accession no: 518D7
  • Lionel Lindsay 1874 – 1961

    Henry Lawson

    1910?
    charcoal on paper
    Accession no: 6110D9
  • Will Dyson 1880 – 1938

    Henry Lawson

    1928
    drypoint on paper
    Accession no: 20121G32
  • attributed to Dominicus Custos c.1560 – 1612

    Henry of Monmorency, Constable of France

    late 16th-early 17th century
    engraving on paper
    Accession no: 097G1248
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    Henry of Montmorency, Signeur of Anville

    c.1601-03
    engraving on paper
    Accession no: 097G1310
  • attributed to Dominicus Custos c.1560 – 1612

    Henry Prince of Lorraine

    late 16th-early 17th century
    engraving on paper
    Accession no: 097G1255
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.