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Displaying 4,945-4968 of 20,175 Works

  • Tracey Moffatt 1960

    Fourth #7

    2001
    inkjet dye print on canvas
    Accession no: 20173Ph30
  • Tracey Moffatt 1960

    Fourth #8

    2001
    inkjet dye print on canvas
    Accession no: 20173Ph31
  • Tracey Moffatt 1960

    Fourth #9

    2001
    inkjet dye print on canvas
    Accession no: 20173Ph32
  • Chelsea Porcelain Works, Chelsea, London operating around 1745-1756

    Fox and crow scent bottle

    c.1755
    porcelain, gold
    Accession no: 915C7
  • Joyce Waterhouse 1887 – 1966

    Foxgloves in garden

    1910s-30s
    gelatin-silver photograph
    Accession no: 20121Ph22
  • Joyce Waterhouse 1887 – 1966

    Foxgloves in garden

    1910s-30s
    gelatin-silver photograph
    Accession no: 20121Ph21
  • attributed to Egid Verelst 1742 – 1818

    Fr. Laurentius Ganganelli

    late 18th-early 19th century
    line and stipple engraving on paper
    Accession no: 084G1521
  • George Washington Wilson 1823 – 1893

    Fra Angelico's 'The Last Judgement'

    c.1852-93
    lantern slide
    Accession no: 20041RJN6498
  • Jacques Callot 1592 – 1635

    Fracischina and Gian Farina

    c.1622
    etching on paper
    Accession no: 20093G26
  • Ian Fairweather 1891 – 1974

    Fragment

    c.1971
    oil on pulp board
    Accession no: 20172P5
    On display, Gallery 6
  • Paul Gauguin 1848 – 1903

    Fragrant scent (Noa Noa)

    1893-94; printed 1921
    woodcut with wood-engraving on paper
    Accession no: 841G2
  • Barossa Valley, South Australia

    Framed birthday motto

    c.1900
    pressed ferns, cotton & metallic thread, cotton & paper base, original timber frame
    Accession no: 20147A62A
  • Jacques Callot 1592 – 1635

    Franca Trippa and Fritellino

    c.1622
    etching on paper
    Accession no: 20093G33
  • Robert Peake c.1551 – 1619

    Frances, Lady Reynell, of West Ogwell, Devon

    c.1595
    oil on oak panel
    Accession no: 978P97
  • Thomas Griffiths Wainewright 1794 – 1847

    Frances Maria Brodribb

    1840
    coloured chalks on cream paper
    Accession no: 5111D8
  • Nicolas de Largillière 1656 – 1746

    Frances Woollascott, an Augustinian Nun

    1729
    oil on canvas
    Accession no: 915P12
    On display, Gallery 13
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    Francesco, Doge of Venice

    c.1601-03
    engraving on paper
    Accession no: 097G1348
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    Francesco Verdugo

    c.1601-03
    engraving on paper
    Accession no: 097G1355
  • Robert Dowling 1827 – 1886

    Francis Butler

    c.1853
    oil on board
    Accession no: 20065P28
  • attributed to Dominicus Custos c.1560 – 1612

    Francis de Valois, Dauphin of France

    late 16th-early 17th century
    engraving on paper
    Accession no: 097G1246
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 25 September 1587

    Francis Gonzaga, Marquis of Mantova

    c.1601-03
    engraving on paper
    Accession no: 097G1352
  • Dominicus Custos c.1560 – 1612

    Francis Hercules Henry III

    late 16th-early 17th century
    engraving on paper
    Accession no: 097G1238
  • attributed to Dominicus Custos c.1560 – 1612

    Francis Sfortia, Viscount

    late 16th-early 17th century
    engraving on paper
    Accession no: 097G1249
  • Francisco Goya 30 March 1746 – 16 April 1828

    Francisco Goya y Lucientes, painter

    1797-98; published 1799
    etching, aquatint, drypoint, engraving on paper, mounted on paper support
    Accession no: 807G18
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.