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Displaying 4,057-4080 of 20,175 Works

  • Paul Foelsche 30 March 1831 – 31 January 1914

    Edith River

    1883
    gelatin-silver photograph
    Accession no: 20041RJN302
  • Paul Foelsche 30 March 1831 – 31 January 1914

    Edith River

    1883
    glass plate negative (wet plate)
    Accession no: 20041RJN4136
  • Edmund Diederich 5 February 1854 – 24 April 1923

    Edmund Diederich in the living room of his house near Hahndorf

    c.1890-1923
    glass plate negative (dry plate)
    Accession no: 20041RJN3336
  • attributed to Giovanni Romanelli c.1610 – 1662

    Education of the virgin

    1630s ?
    oil on canvas
    Accession no: 20073P9
  • Edward Ruscha 16 December 1937

    Edward Rusha (ED-WERD REW-SHAY) Young Artist

    1972
    artist’s book: off-set lithographs, letterpress, business card, bound
    Accession no: 20176G165
  • Pompeo Girolamo Batoni 1708 – 1787

    Edward Weld

    c.1761
    oil on canvas
    Accession no: 20049P83
    On display, Gallery 13
  • Mortimer Menpes 1855 – 1938

    Edward William Pollard

    1880
    drypoint, plate tone on paper
    Accession no: 20133PP7
  • Yvonne Koolmatrie 1944

    Eel trap

    2015
    woven spiny-headed sedge (Cyperus gymnocaulos)
    Accession no: 20155A24A
    On display, Gallery 3
  • Yvonne Koolmatrie 1944

    Eel trap

    2015
    woven spiny-headed sedge (Cyperus gymnocaulos)
    Accession no: 20155A25A
    On display, Gallery 3
  • George Washington Wilson 1823 – 1893

    Effects of narcotics and stimulants

    c.1852-93
    lantern slide
    Accession no: 20041RJN6493
  • George W Lambert 1873 – 1930

    Egg and Cauliflower Still Life

    1926
    oil on canvas
    Accession no: 0.1534
  • Gladys Reynell (potter) 4 September 1881 – 16 November 1956 , Reynella Pottery, Reynella, South Australia (manufacturer) 1919 – 1922

    Egg cup [blue, sgraffito decoration]

    1922
    earthenware
    Accession no: 809C23A
    On display, Gallery 3
  • Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Egidius

    1594
    engraving on paper
    Accession no: 097G623
  • Ohara Koson 1877 – 1945

    Egret standing in rain

    1928
    woodblock print, ink and colour with blind printing on paper
    Accession no: 20054G59
  • Sidney Nolan 1917 – 1992

    Egyptian Register

    1974
    synthetic polymer paint on canvas
    Accession no: 744P20
  • Sidney Nolan 1917 – 1992

    Egyptian Register

    1974
    synthetic polymer paint on canvas
    Accession no: 744P21
  • Hatakeyama Koji 1956

    Eight faces

    2015
    patinated bronze, gold leaf
    Accession no: 20222A1
  • Edmund Diederich 5 February 1854 – 24 April 1923

    Eight figures at front of stone cottage, gate with iron embellishments in foreground

    c.1890-1923
    glass plate negative (dry plate)
    Accession no: 20041RJN3634
  • Wang Qi 1884 – 1937

    Eight Immortals (ba xian)

    1928
    porcelain, overglaze enamel, wood, brass
    Accession no: 7813A163(a-d)
  • George L. Marchant 1882 – 1958

    Eight self portraits

    c.1912
    albumen-silver photograph
    Accession no: 20041RJN886
  • Utagawa Hiroshige 1797 – 1858

    Eight views of Omi

    1856
    woodblock print, ink and colour on paper, triptych
    Accession no: 427G54
  • E Phillips Fox 12 March 1865 – 8 October 1915

    Eighty-five years

    1891
    oil on canvas
    Accession no: 877P20
  • Utagawa Hiroshige 1797 – 1858 , Aritaya Seiemon (publisher) c.1825 – c.1875

    Ejiri (Ejiri) no. 19

    c.1843-47
    woodblock print, ink and colour on paper
    Accession no: 20033G39
  • Attributed to R E Sheedy

    Elaborate stone building, shadow figures in foreground

    c.1900-20
    glass plate negative (wet plate)
    Accession no: 20041RJN4359
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.