Place made
Paris
Medium
oil on canvas
Dimensions
72.0 x 58.0 cm
Credit line
N.F. Rochlin Bequest Fund 2021
Accession number
20218P95
Signature and date
Not signed. Not dated.
Provenance
Louise-Adeone Drolling [1779-c 1836]; acquired c 1900 Private collection, Paris; (Ka-Mondo auction house, Paris, March 2021); (Galerie Alexis Bordes, Paris); purchased 2021 by AGSA.
Media category
Painting
Collection area
European paintings
  • BIOGRAPHY


    Born in Paris in 1797, Louise-Adéone Drölling showed artistic aptitude from a young age and was trained as a painter and draughtsperson by the age of 13.  Drölling began her career beside her father Martin and her older brother Michel-Martin. The influence of her father, who was a genre painter, led her to be interested in depicting interior scenes as illustrations of daily life.


    Drölling was not a prolific artist but was highly regarded in her lifetime – in 1827 and 1831 her work was exhibited in the Salon des Amis des Arts and she received a gold medal for the work Interior with young woman tracing a flower (now in the Saint Louis Art Museum). Drölling’s date of death is unknown but she died before 30 April 1836 as this was the date of her inventaire apres deces (inventory after death). Only a small number of works were listed at the time of her death and in some cases her works have been misattributed to her father or brother.


    Tansy Curtin, Curator of International Art Pre-1980

  • ESSAY: Woman giving a drawing lesson


    This work depicts a scene typical of early nineteenth century French taste. Two young women can be seen in a warm interior decorated in Empire fashion, lit by sunlight softly emanating from the window on the left side of the composition. The scene shows one woman teaching another to draw and is thought to be a self-portrait asserting the artist’s skill and merit as teacher.


    Louise-Adéone Drölling represents a new wave of female artists emerging in Paris following the French Revolution when women were finally permitted to study at the academies. In her work, Drölling demonstrates a new and empowered femininity; she depicts herself here in the red shawl so closely associated with Empress Josephine Bonaparte who was known not only as a great fashion icon but also highly intellectual and witty. Other accoutrements hint at this new educated woman – the globe in the background and what looks to be a sheaf of newspapers on the table adjacent to the floral arrangement.


    Tansy Curtin, Curator of International Art Pre-1980




  • Robert Wilson: Moving Portraits

    Art Gallery of South Australia, 9 July 2022 – 3 October 2022