Place made
Strasbourg, France
Medium
woodcut on paper
State
ii / ii
Dimensions
34.0 x 19.8 cm (image)
34.4 x 20.0 cm (sheet)
Credit line
Bequest of David Murray 1908
Accession number
084G1038
Signature and date
Signed, in block, l.r. "H B" [in monogram]. Not dated.
Catalogue raisonne
Holl/G 237 ii/ii; [TIB v.17, p.78, no.15 (Hans Brosamer, but corrected to Hans Baldung)]
Media category
Print
Collection area
European prints
  • WALL LABEL: The Sleep of Reason Produces Monsters, 2020

    Has Baldung, Dürer’s most talented and renowned pupil, developed his own highly original style, which was characterised by innovative compositions and themes. Witches and horses are familiar motifs in his secular prints and respond to topical beliefs surrounding witchcraft and superstition in German society at this time.  

     

    In this enigmatic woodcut, the old crone holding a flaming torch is a witch, who has presumably caused the horse to mortally wound the groom. One interpretation links this image to a popular folk story about a sinful robber knight who unsuccessfully tried to avoid retribution for his actions by disguising himself as a stable hand. 

     

    Created the year before he died, this is one of Baldung’s last prints; the inclusion of the Baldung family’s coat of arms on the stable wall may represent an awareness that his own death was imminent. 

     

    Julie Robinson, Senior Curator, Prints, Drawings & Photographs

     
  • The Sleep of Reason Produces Monsters

    Art Gallery of South Australia, 29 February 2020 – 16 August 2020
  • Controversy: the power of art

    Mornington Peninsula Regional Gallery, 21 June 2012 – 12 August 2012
  • Durer and German Renaissance Printmaking, 1996-1997

    Cairns Art Gallery, 28 March 1996 – 11 May 1997
    Art Gallery of South Australia, 6 December 1996 – 23 February 1997
    Perc Tucker Regional Gallery, 20 June 1997 – 3 August 1997
    Queensland Art Gallery | Gallery of Modern Art, 13 August 1997 – 28 September 1997
    Newcastle Art Gallery, 18 October 1997 – 30 November 1997
    Christchurch Art Gallery Te Puna O Waiwhetu, 17 March 1999 – 16 May 1999