Lise Deharme as the queen of spades
United States of America
1890 – 1976
Lise Deharme as the queen of spades
c.1935
gelatin-silver photo-montage
- Place made
- France
- Medium
- gelatin-silver photo-montage
- Dimensions
- 24.0 x 18.0 cm (sheet)
- Credit line
- South Australian Government Grant 1983
- Accession number
- 838Ph4
- Signature and date
- Signed verso bot.c., pencil "MR" in monogram. Not dated.
- Media category
- Photograph
- Collection area
- American Photographs
- Copyright
- © Estate of Many Ray/ Copyright Agency
- Image credit
- Photos: AGSA
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Man Ray, born Emanuel Randnitsky in Philadelphia in 1890, is without doubt one of the most influential avant-garde artists of the twentieth century. Although Man Ray commenced his artistic career as a painter, it wasn’t long before he turned his talent to photography, and it is ultimately his innovative and dramatic surrealist photographs for which he is best known today. Relocating to Paris in 1921, Man Ray spent the following two decades of his career immersed in the avant-garde art scene of the day, associating with the likes of Salvador Dali, Pablo Picasso and Joan Miro.
One of a suite of four works, the photo-montage depicts celebrated female surrealist artists of his circle as figures from a deck of cards – Jacqueline Lamba, Nusch Eluard, Valentine Hugo and Lise Deharme. As an accomplished and important surrealist writer, Deharme made significant contributions to the movement, although for many years her contribution to surrealism was overlooked, being primarily remembered as the muse of André Breton, the so-called father of surrealism. The Gallery’s version of this work has an illustrious provenance and can be traced to the sitter’s personal collection.
Tansy Curtin, Curator, International Art pre–1980
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WALL LABEL: Public Image, Private Lives: Family, Friends and Self in Photography, 2016
The surrealists’ passion for games and playing cards inspired Man Ray’s four ’deck of cards’ images of the female surrealists Jacqueline Lamba, Nusch Eluard, Valentine Hugo and Lise Deharme. Deharme was depicted as the queen of spades, and later became known in surrealist circles as ’La Dame de Pique’ (The Queen of Spades).
Lise Deharme, married to the radio pioneer Paul Deharme, was a writer associated with the surrealists. She was good friends with Paul Eluard and Man Ray and was particularly close to Andre Breton, being regarded as his muse. She hosted many surrealist salons in her home in Paris, which Man Ray attended. He once described her house as ’a rambling affair, filled with strange objects and Rococo furniture’.
One of Man Ray’s frequently recurring props is a life-sized hand, or forearm, of dark wood, which he liked his female sitters to hold. In this composition Deharme holds it up like the hand of justice.
Julie Robinson, Senior Curator of Prints, Drawings & Photographs
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Public Image, Private Lives: Family, Friends and Self in Photography
Art Gallery of South Australia, 5 February 2016 – 18 September 2016 -
European Graphics 1870-1930
Art Gallery of South Australia, 19 July 1984 – 9 September 1984
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[Book] AGSA 500.
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[Book] Trumble, Angus, Thomas, Sarah. Vive la France!: Hidden Treasures of French Art (1824-1945) from Adelaide Collections.