Date of birth
30 March 1746
Place of birth
Fuendetodos, Aragón, Spain
Date of death
16 April 1828
Place of death
Bordeaux, France
Nationality
Spain
  • Francisco Goya 1746 – 1828

    A way of flying

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 608G28
  • Francisco Goya 1746 – 1828

    Carnival folly

    1816-23
    etching, aquatint on paper
    Accession no: 608G29
  • Francisco Goya 1746 – 1828

    Clear folly

    1816-23
    etching, burnished aquatint, lavis on paper
    Accession no: 608G30
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 608G22
  • Francisco Goya 1746 – 1828

    Feminine folly

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 608G16
  • Francisco Goya 1746 – 1828

    Flying folly

    1816-23
    etching, aquatint on paper
    Accession no: 608G20
  • Francisco Goya 1746 – 1828

    Folly of fear

    1816-23
    etching, burnished aquatint, drypoint on paper
    Accession no: 608G17
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, engraving on paper, mounted on paper support
    Accession no: 807G18
  • Francisco Goya 1746 – 1828

    Funereal folly

    1816-23
    etching, burnished aquatint, engraving on paper
    Accession no: 608G33
  • Francisco Goya 1746 – 1828

    Furious folly

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G21
  • Francisco Goya 1746 – 1828

    General folly

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G24
  • Francisco Goya 1746 – 1828

    It is time

    1797-98
    etching, burnished aquatint on paper
    Accession no: 686G14
  • Francisco Goya 1746 – 1828

    Loyalty

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G32
  • Francisco Goya 1746 – 1828

    Merry folly

    1816-23
    etching, burnished aquatint, drypoint on paper
    Accession no: 608G27
  • Francisco Goya 1746 – 1828

    Poor folly

    1816-23
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 608G26
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 608G18
  • Francisco Goya 1746 – 1828
    etching, engraving, drypoint, burnishing on paper
    Accession no: 6512G56
  • Francisco Goya 1746 – 1828

    She fleeces him

    1797-98
    etching, burnished aquatint on paper
    Accession no: 554G5
  • Francisco Goya 1746 – 1828

    Simpleton

    1816-23
    etching, burnished aquatint, engraving, drypoint on paper
    Accession no: 608G19
  • Francisco Goya 1746 – 1828
    etching, engraving, burnishing on paper
    Accession no: 6512G131
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint on paper
    Accession no: 608G25
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 608G23
  • Francisco Goya 1746 – 1828
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G125
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G44
  • Francisco Goya 1746 – 1828

    Triple folly

    1816-23
    etching, burnished aquatint on paper
    Accession no: 608G31
  • Francisco Goya 1746 – 1828
    etching, lavis, engraving, burnishing on paper
    Accession no: 6512G104
  • Francisco Goya 1746 – 1828

    A bad night

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G54
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G65
  • Francisco Goya 1746 – 1828

    All will fall

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G37
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint on paper
    Accession no: 6512G94
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G36
  • Francisco Goya 1746 – 1828
    aquatint on paper
    Accession no: 807G57
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G77
  • Francisco Goya 1746 – 1828
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G70
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint on paper
    Accession no: 6512G60
  • Francisco Goya 1746 – 1828

    And this too

    1810-20
    etching, aquatint or lavis, drypoint, engraving on paper
    Accession no: 6512G100
  • Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)

    Animal folly

    1816-23
    etching, burnished aquatint, drypoint on paper
    Accession no: 707G29
  • Francisco Goya 1746 – 1828
    etching, lavis, engraving, burnishing on paper
    Accession no: 6512G109
  • Francisco Goya 1746 – 1828

    Barbarians!

    1810-20
    etching, burnished aquatint, engraving, burnishing on paper
    Accession no: 6512G93
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G66
  • Francisco Goya 1746 – 1828
    aquatint on paper
    Accession no: 807G50
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G68
  • Francisco Goya 1746 – 1828

    Blow

    1797-98
    etching, aquatint, drypoint, engraving on paper
    Accession no: 807G87
  • Francisco Goya 1746 – 1828

    Bravissimo!

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G56
  • Francisco Goya 1746 – 1828
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G73
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G73
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G119
  • Francisco Goya 1746 – 1828

    Charity

    1810-20
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G82
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, engraving on paper
    Accession no: 6512G130
  • Francisco Goya 1746 – 1828

    Correction

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G64
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G103
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 807G88
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G84
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 807G25
  • Francisco Goya 1746 – 1828

    Even worse

    1810-20
    etching, lavis, engraving on paper
    Accession no: 6512G77
  • Francisco Goya 1746 – 1828
    etching, engraving on paper
    Accession no: 6512G97
  • Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)
    etching, aquatint, drypoint on paper
    Accession no: 707G30
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 807G34
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 6512G118
  • Francisco Goya 1746 – 1828

    He deserved it

    1810-20
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G84
  • Francisco Goya 1746 – 1828
    etching, drypoint, engraving on paper
    Accession no: 6512G95
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G21
  • Francisco Goya 1746 – 1828

    Hobgoblins

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G67
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G39
  • Francisco Goya 1746 – 1828

    Hush

    1797-98
    etching, aquatint, engraving on paper
    Accession no: 807G46
  • Francisco Goya 1746 – 1828

    I saw it

    1810-20
    etching, drypoint, engraving on paper
    Accession no: 6512G99
  • Francisco Goya 1746 – 1828
    etching, drypoint on paper
    Accession no: 6512G63
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G86
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G35
  • Francisco Goya 1746 – 1828

    It is time

    1797-98
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G53
  • Francisco Goya 1746 – 1828
    etching, lavis, engraving on paper
    Accession no: 6512G61
  • Francisco Goya 1746 – 1828
    etching, burnished lavis on paper
    Accession no: 6512G76
  • Francisco Goya 1746 – 1828
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G69
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving, burnishing on paper
    Accession no: 6512G113
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G29
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 807G81
  • Francisco Goya 1746 – 1828

    Love and death

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G28
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, burnishing on paper
    Accession no: 6512G132
  • Francisco Goya 1746 – 1828
    etching, aquatint, engraving on paper
    Accession no: 807G55
  • Francisco Goya 1746 – 1828

    Nanny's boy

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G22
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G66
  • Francisco Goya 1746 – 1828

    Neither do they

    1810-20
    etching, engraving on paper
    Accession no: 6512G65
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G59
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G61
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G24
  • Francisco Goya 1746 – 1828

    Nor this time

    1810-20
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G91
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G42
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, lavis, drypoint, engraving on paper
    Accession no: 6512G124
  • Francisco Goya 1746 – 1828
    etching, aquatint on paper
    Accession no: 807G58
  • Francisco Goya 1746 – 1828
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G89
  • Francisco Goya 1746 – 1828

    One can't look

    1810-20
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G81
  • Francisco Goya 1746 – 1828
    etching, burnished lavis, drypoint, engraving on paper
    Accession no: 6512G90
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G30
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G116
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G40
  • Francisco Goya (artist) 1746 – 1828 , Francois Lienard (printer)

    Punctual folly

    1816-23
    etching, aquatint, drypoint on paper
    Accession no: 707G31
  • Francisco Goya 1746 – 1828

    Rabble

    1810-20
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G83
  • Francisco Goya 1746 – 1828

    Ravages of war

    1810-20
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G85
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G57
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G49
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G52
  • Francisco Goya 1746 – 1828
    etching, aquatint, burnishing on paper
    Accession no: 6512G121
  • Francisco Goya 1746 – 1828

    Swallow it, dog

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G76
  • Francisco Goya 1746 – 1828
    etching, lavis, engraving, burnishing on paper
    Accession no: 6512G75
  • Francisco Goya 1746 – 1828

    Tantalus

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G27
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 6512G106
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G47
  • Francisco Goya 1746 – 1828

    That's tough!

    1810-20
    etching, burnished aquatint, drypoint on paper
    Accession no: 6512G86
  • Francisco Goya 1746 – 1828

    The Chinchillas

    1797-98
    etching, burnished aquatint, engraving on paper
    Accession no: 807G68
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G117
  • Francisco Goya 1746 – 1828
    etching on paper
    Accession no: 6512G127
  • Francisco Goya 1746 – 1828

    The filiation

    1797-98
    etching, aquatint on paper
    Accession no: 807G75
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving, burnishing on paper
    Accession no: 6512G112
  • etching, burnished aquatint, drypoint on paper
    Accession no: 20063G13
  • Francisco Goya 1746 – 1828

    The same

    1810-20
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G58
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G78
  • Francisco Goya 1746 – 1828
    etching, aquatint on paper
    Accession no: 807G72
  • Francisco Goya 1746 – 1828
    etching, aquatint on paper
    Accession no: 807G19
  • Francisco Goya 1746 – 1828
    etching, aquatint, lavis, drypoint, burnishing on paper
    Accession no: 6512G59
  • Francisco Goya 1746 – 1828
    etching, lavis, burnishing on paper
    Accession no: 6512G110
  • Francisco Goya 1746 – 1828
    etching, aquatint, engraving, burnishing on paper
    Accession no: 6512G115
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G63
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G74
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G38
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, lavis, engraving, burnishing on paper
    Accession no: 6512G108
  • Francisco Goya 1746 – 1828

    These too

    1810-20
    etching, drypoint, engraving on paper
    Accession no: 6512G80
  • Francisco Goya 1746 – 1828

    They are hot

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G31
  • Francisco Goya 1746 – 1828
    etching, burnishing on paper
    Accession no: 6512G79
  • Francisco Goya 1746 – 1828
    etching, aquatint on paper
    Accession no: 807G26
  • Francisco Goya 1746 – 1828
    etching, drypoint, engraving, burnishing on paper
    Accession no: 6512G72
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G107
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G64
  • Francisco Goya 1746 – 1828
    Etching, engraving on paper
    Accession no: 6512G96
  • Francisco Goya 1746 – 1828

    They have flown

    1797-98
    etching, aquatint, drypoint on paper
    Accession no: 807G79
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint on paper
    Accession no: 20063G12
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G71
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G20
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, engraving on paper
    Accession no: 807G62
  • Francisco Goya 1746 – 1828

    This is bad

    1810-20
    Etching, burnished aquatint, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G101
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G102
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G122
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving on paper
    Accession no: 6512G67
  • Francisco Goya 1746 – 1828

    This is worse

    1810-20
    etching, lavis, drypoint on paper
    Accession no: 6512G92
  • Francisco Goya 1746 – 1828

    This too

    1810-20
    etching, burnished aquatint, burnishing on paper
    Accession no: 6512G98
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G41
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G74
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint, engraving on paper
    Accession no: 807G51
  • Francisco Goya 1746 – 1828

    To the cemetery

    1810-20
    etching, lavis, drypoint on paper
    Accession no: 6512G111
  • Francisco Goya 1746 – 1828

    Trials

    1797-98
    etching, aquatint, engraving on paper
    Accession no: 807G78
  • Francisco Goya 1746 – 1828

    Truth has died

    1810-20
    etching, burnishing on paper
    Accession no: 6512G134
  • Francisco Goya 1746 – 1828

    Two of a kind

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G23
  • Francisco Goya 1746 – 1828

    Unhappy mother!

    1810-20
    etching, burnished aquatint, drypoint on paper
    Accession no: 6512G105
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G85
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 707G32
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G71
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G32
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G70
  • Francisco Goya 1746 – 1828

    What courage !

    1810-20
    etching, aquatint, drypoint, engraving, burnishing on paper
    Accession no: 6512G62
  • Francisco Goya 1746 – 1828
    etching, aquatint, engraving, burnishing on paper
    Accession no: 6512G120
  • Francisco Goya 1746 – 1828

    What madness!

    1810-20
    etching, lavis, engraving on paper
    Accession no: 6512G123
  • Francisco Goya 1746 – 1828
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G88
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, drypoint, engraving on paper
    Accession no: 807G69
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, lavis on paper
    Accession no: 6512G114
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G89
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 807G83
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 807G45
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G80
  • Francisco Goya 1746 – 1828

    Why hide them?

    1797-98
    etching, burnished aquatint, drypoint on paper
    Accession no: 807G48
  • Francisco Goya 1746 – 1828

    Why?

    1810-20
    etching, lavis, drypoint, engraving, burnishing on paper
    Accession no: 6512G87
  • Francisco Goya 1746 – 1828
    etching, burnishing on paper
    Accession no: 6512G135
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint, engraving on paper
    Accession no: 807G33
  • Francisco Goya 1746 – 1828
    etching, aquatint, drypoint on paper
    Accession no: 807G43
  • etching, burnished aquatint, drypoint on paper
    Accession no: 807G82
  • Francisco Goya 1746 – 1828

    You who cannot

    1797-98
    etching, burnished aquatint on paper
    Accession no: 807G60
  • Francisco Goya 1746 – 1828
    etching, burnished aquatint on paper
    Accession no: 807G90