Tracey Emin
Save Me

Tracey Emin, Britain, born 1963, Save Me, 2018, London, neon, 48.0 x 122.0 cm; Gift of Peggy Barker, Dianne Finnegan, David McKee AO, Pam McKee, Jill Russell and Tracey Whiting through the Art Gallery of South Australia Foundation Collectors Club 2018, Art Gallery of South Australia, Adelaide, © Tracey Emin/Copyright Agency.

About this work of art

In her early career, Tracey Emin was considered the enfant terrible, a controversial figure, of the British art world. She had emerged on the London art scene in the 1990s as one of the audacious contemporary Young British Artists, or YBAs. 

Emin soon gained public recognition – and notoriety – for works that depicted subjects that were considered shocking or taboo. These included her iconic My Bed, an installation

comprising her messy bed, stained sheets and intimate objects, which was shortlisted for the esteemed Turner Prize. Today she is celebrated for this personal and confessional style of art-making, with much of her practice dealing with her everyday lived experience.

In Save me, Emin employs her signature electric neon in hues of magenta and red, shaped to mimic the artist’s own handwriting.  Hand-script neon has been an enduring medium for her since the 1990s and it remains one of her trademark formats in which her intimate form of emotional realism shines through. The use of neon marked a pivotal change in Emin’s body of work as she moved away from her earlier modes, such as video and embroidery, to practise almost exclusively in sculpture, painting and drawing. The evolution of Emin’s use of this medium over the past twenty-five years also mimics her transformation into a celebrity figure across the same timeline.

As an artistic medium, neon is an interesting and evocative choice since it is so often associated with advertising and street signage.  It also alludes to the city nightlife familiar to Emin during her teenage and early adult years. The meaning of Emin’s work is somewhat ambiguous – does the artist need rescuing from some unseen force, or is it more simply a catchy advertising slogan?


Audio description of the work of art

Save Me by British artist Tracey Emin is a sculpture made of electric neon tubing. Created in 2018, it is 48cms high and 122cms long. Brackets hold the sign at a distance of 7cms from the wall.

Neon tubing is bent and looped to create the words, Save Me, to imitate the artist’s own handwriting. The two words, - Save Me - capital ‘S’ capital ‘M’, are underscored and emphasised by a length of tubing. A third length of tubing forms a long ‘V’ as it travels up, intersecting with the first line, underscoring only the word ‘Save’.

The neon letters are brightly lit, as is the air around them, in a soft glow. Save Me is illuminated in purple and scrawled in a slanted hand - the ‘S’ is a lazy sweep and the largest of the lettering, but sits the lowest, as the phrase forms a gentle incline. A small vertical line of tubing positioned to the right of the word ‘Me’, forms a purple full-stop. Below the words, the lines which underscore the lettering are illuminated in red. The two colours merge, creating a red and purple glow between them.