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Displaying 601-624 of 824 Works

  • Mark Pearse 1941 – 2019

    Small head

    1968
    wood
    Accession no: 20223S16
    On display, Gallery 5
  • Sidney Nolan 1917 – 1992

    S.N.

    1943
    ripolin enamel on board
    Accession no: 744P53
    On display, Gallery 5
  • Utagawa Hiroshige 1797 – 1858

    Snow at Akabane in the Shiba district (Shiba Akabane no yuki)

    1834-35
    woodblock print, ink and colour on paper
    Accession no: 20054G29
    On display, Gallery 19
  • Hill & Son, Sydney 1843 – 1867

    Sofa

    c 1850
    cedar, velvet upholstery (modern replacement)
    Accession no: 8212F3A
    On display, Gallery 3
  • Sarah Kay 1830 – 1906

    Solanum

    c 1880s
    watercolour on paper
    Accession no: 20078P36.39
    On display, Gallery 1
  • Clarice Beckett 1887 – 1935

    Solitude

    c 1932
    oil on board
    Accession no: 20197P118
    On display, Gallery 4
  • Dušan Marek 7 March 1926 – 9 March 1993

    Space ship

    1968
    oil on board
    Accession no: 20078P40
    On display, Gallery 5
  • Sarah Kay 1830 – 1906

    (Specimenof native grass)

    c 1880s
    watercolour on paper
    Accession no: 20078P36.34
    On display, Gallery 1
  • Sarah Kay 1830 – 1906

    Spinifex hirsutus

    c 1880s
    watercolour on paper
    Accession no: 20078P36.44
    On display, Gallery 1
  • Jane Price 18 February 1860 – 1948

    Spring clouds

    c 1905
    oil on canvas
    Accession no: 20057P30
    On display, Gallery 3
  • Gladys Reynell 4 /09/1881 – 1956

    Squat vase

    1920
    earthenware, slip inlay, glaze
    Accession no: 20147C105A
    On display, Gallery 4
  • Master of Uttenheim 15th century

    St Martin of Tours and St Nicholas of Bari

    c 1475
    tempera, gold on wood panel
    Accession no: 0.1245
    On display, Gallery 13
  • Conrad Martens 1801 – 1878

    Stalagmite columns at the southern entrance of the Burrangalong Cavern

    1843
    oil on canvas
    Accession no: 20065P39
    On display, Gallery 3
  • Britain, London (possibly a bull's head maker's mark)

    Standing salt

    1583-84
    silver gilt
    Accession no: AA679
    On display, Gallery 15
  • Francesco Noletti c.1611 – 1654

    St.Cecilia: an allegory of music

    c 1650
    oil on panel
    Accession no: 20154P30
    On display, Gallery 15
  • Dorrit Black 23 December 1891 – 1951

    Still life

    c 1928
    oil on canvas
    Accession no: 928P29
    On display, Gallery 4
  • Dorrit Black 23 December 1891 – 1951

    Still life - interior

    c 1930
    oil on board
    Accession no: 20193P21
    On display, Gallery 4
  • Roger Fry 1866 – 1934

    Still life: jug and eggs

    1911
    oil on wood panel
    Accession no: 848P27
    On display, Gallery 13
  • Jean-Jacques Bachelier 1725 – 1806

    Still life with flowers and a violin

    c 1750
    oil on canvas
    Accession no: 0.2086
    On display, Gallery 12
  • W.B. Gould 8 /11/1803 – 1853

    Still life with fruit and flowers

    1840s
    oil on canvas
    Accession no: 20065P34
    On display, Gallery 1
  • W.B. Gould 8 /11/1803 – 1853

    Still life with game

    c 1840
    oil on canvas
    Accession no: 816P16
    On display, Gallery 1
  • Dorrit Black 23 December 1891 – 1951

    Still life with jug and ladle

    c 1935
    oil on canvas on composition board
    Accession no: 20138P29
    On display, Gallery 4
  • Herman van der Mijn 1684 – 1741

    Still life with medallion

    1711
    oil on canvas
    Accession no: 20197P128
    On display, Gallery 13
  • Grace Cossington Smith 1892 – 1984

    Still life with white cup and saucer

    1971
    oil on pulp board
    Accession no: 20172P9
    On display, Gallery 4
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.