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Displaying 577-600 of 807 Works

  • Maida Wright late 19th century – 1929

    Shallow three-footed trinket bowl with roses

    1910-20
    hand-painted porcelain blank
    Accession no: 20207C165A
    On display, Gallery 18
  • Adnyamathanha People, South Australia

    Shield

    c 1930s
    carved and incised hardwood
    Accession no: 20114A25A
    On display, Gallery 2
  • Japan

    Shinto Temple, Karamon [gate] and Hokogataki Rock at Haruna

    1890-99
    albumen print, hand coloured mounted on card
    Accession no: 20222Ph206
    On display, Gallery 19
  • Morris & Co. (manufacturer) 1861 – 1940 , Philip Webb (designer) 1831 – 1915

    Sideboard

    c 1900; designed c 1865
    stained oak, brass handles
    Accession no: 996F2
    On display, Gallery 18
  • New South Wales

    Sideboard

    c 1835
    Australian red cedar (Toona ciliata)
    Accession no: 884F1A
    On display, Gallery 1
  • Fred Williams 1927 – 1982

    Silver and grey

    1969
    oil on canvas
    Accession no: 928P28
    On display, Gallery 6
  • Hatakeyama Koji 1956

    Six faces

    2015
    patinated bronze, gold leaf
    Accession no: 20222A2
    On display, Gallery 19
  • Clare Belfrage 1966

    Skin Deep, Orange and Pink

    2017
    blown glass with cane drawing, cold worked
    Accession no: 20177C75A
    On display, Gallery 12
  • Teelah George 11 February 1984

    Sky piece (Cottlesloe)

    2020
    thread on linen
    Accession no: 20209A72
    On display, Gallery 7
  • Catherine Truman 1957

    Slate pool walkway

    1993-96
    Mintaro slate, patinated cast bronze fish, painted steel gates
    Accession no: 963A66A
    On display, the Courtyard
  • Norah Godlee 1900 – 1985

    Slops bowl, with rose design

    1932
    hand-painted porcelain blank
    Accession no: 992C3A
    On display, Gallery 18
  • Mark Pearse 1941 – 2019

    Small head

    1968
    wood
    Accession no: 20223S16
    On display, Gallery 5
  • Mark Pearse 1941 – 2019

    Small head

    1968
    wood
    Accession no: 20223S15
    On display, Gallery 5
  • Mark Pearse 1941 – 2019

    Small head

    1968
    wood
    Accession no: 20223S14
    On display, Gallery 5
  • Sidney Nolan 1917 – 1992

    S.N.

    1943
    ripolin enamel on board
    Accession no: 744P53
    On display, Gallery 5
  • Utagawa Hiroshige 1797 – 1858

    Snow at Akabane in the Shiba district (Shiba Akabane no yuki)

    1834-35
    woodblock print, ink and colour on paper
    Accession no: 20054G29
    On display, Gallery 19
  • Hill & Son, Sydney 1843 – 1867

    Sofa

    c 1850
    cedar, velvet upholstery (modern replacement)
    Accession no: 8212F3A
    On display, Gallery 3
  • Sarah Kay 1830 – 1906

    Solanum

    c 1880s
    watercolour on paper
    Accession no: 20078P36.39
    On display, Gallery 1
  • Clarice Beckett 1887 – 1935

    Solitude

    c 1932
    oil on board
    Accession no: 20197P118
    On display, Gallery 4
  • Dušan Marek 7 March 1926 – 9 March 1993

    Space ship

    1968
    oil on board
    Accession no: 20078P40
    On display, Gallery 5
  • Sarah Kay 1830 – 1906

    (Specimenof native grass)

    c 1880s
    watercolour on paper
    Accession no: 20078P36.34
    On display, Gallery 1
  • Sarah Kay 1830 – 1906

    Spinifex hirsutus

    c 1880s
    watercolour on paper
    Accession no: 20078P36.44
    On display, Gallery 1
  • Jane Price 18 February 1860 – 1948

    Spring clouds

    c 1905
    oil on canvas
    Accession no: 20057P30
    On display, Gallery 3
  • Gladys Reynell 4 /09/1881 – 1956

    Squat vase

    1920
    earthenware, slip inlay, glaze
    Accession no: 20147C105A
    On display, Gallery 4
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.